Jeffrey Wigand: I'm just a commodity to you, aren't I? I could be anything. Right? Anything worth putting on between commercials. Lowell Bergman: To a network, probably, we're all commodities. To me? You are not a commodity. What you are is important...
Jeffrey Wigand: Up to you, Jeffrey! That's the power you have, Jeffrey! Vile inside information the American public need to know! Lowell Bergman, the hotshot who never met a source he couldn't turn around!
I was going to design sports cars, but my father came to my college to visit me. At the time he was making a picture in Sweden and he took me there with him. I got to see Ingmar Bergman's company and I thought, 'Gee, filmmaking is a lot more fun than...
Lowell Bergman: I never left a source hang out to dry, ever! Abandoned! Not 'till right fucking now. When I came on this job I came with my word intact. I'm gonna leave with my word intact. Fuck the rules of the game!
As students of the silver screen recall, Bogart's admonition about future regret led Bergman to board the plane and fly away with her husband. Had she stayed with Bogey in Casablanca, she would probably have felt just fine. Not right away, perhaps, b...
Jeffrey Wigand: I have to put my family's welfare on the line here, my friend! And what are you puttin' up? You're puttin' up words! Lowell Bergman: Words? While you've been dickin' around at some fucking company golf tournaments, I been out in the w...
Most of us are searching-consciously or unconsciously- for a degree of internal balance and harmony between ourselves and the outside world, and if we happen to become aware-like Stravinsky- of a volcano within us, we will compensate by urging restra...
I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quanda...
Besides my professional goals, I have a couple of private ones, my man. One of those is to pet a kangaroo before I leave Australia. I understand there's lots of Eastern Grays around this area. What do you say? Are you in?' Bergman looked at him like ...
Lowell Bergman: You pay me to go get guys like Wigand, to draw him out. To get him to trust us, to get him to go on television. I do. I deliver him. He sits. He talks. He violates his own fucking confidentiality agreement. And he's only the key witne...
Mike Wallace: In the real world, when you get to where I am, there are other considerations. Lowell Bergman: Like what? Corporate responsibility? What, are we talking celebrity here? Mike Wallace: I'm not talking celebrity, vanity, CBS. I'm talking a...
