I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.
I think the kick to doing comedy is just to get in a film with really funny people and let them do their jobs. I find that in most comedies, I'm not the funny one, which works out great.
So much of a stand-up's life is doing live radio and having to be funny and quick on the spot with these strangers, and sort of surgical in terms of how funny I can be in three minutes.
With comedy, don't try to be funny. That's really helped me. Just say the lines as you would say them, interact with other characters, and try to make it as real as possible. It will come out funny.
Marie Antoinette was funny, I'm sure she was just misinterpreted. You know the 'Let them eat cake' line. She seems like she was kind of funny, like a Chelsea Handler or Kathy Griffin type.
I've experienced plenty of times when something I think is funny doesn't do very well. And there are times when something I don't think is funny makes the audience laugh so hard.
Boston is actually the capital of the world. You didn't know that? We breed smart-ass, quippy, funny people. Not that I'm one of them. I just sorta sneaked in under the radar.
Honestly, it's hard to learn about comedy from comedians. Comedy is not something that you necessarily learn or can imitate. You're funny or you're not, and you hope what you're doing is funny.
I turned down 'Some Like It Hot.' See how smart I am? I felt I couldn't bring anything funny to it. The outfit was funny. I don't need to compete with the wardrobe.
I think cheese smells funny, but I feel bananas 'are' funny. I'm assuming Swamp told the whole story of the executives seriously asking us to replace the banana with cheese because they thought it was funnier.
People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.
The most important thing is to write material that YOU think is funny. If you don't think it's funny, but you're convinced that other people will think it is, well they won't.
I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.
As a kid, I thought of myself as a funny person who secretly wanted to be serious, but now I think maybe I'm a serious person who secretly wants to be funny.
People often can't separate, or can't understand, that to be funny is to be serious; it's a way of pulling people in and not scaring them off. I think a lot of the funny stuff, underneath it, there's a deep anxiety going on.
I've just seen really, really funny guys, and if I didn't know them, I wouldn't know they were funny from the television. I don't know what it does, it just sucks it away.
I've always tried to come up with funny dancing since I was young, to attract girls' attention for one thing. It's got to be funny. I can't pull it off with serious dances. That's not me.
I think a lot of humor is about distracting yourself. Pretend you're not trying to make it funny. Because for some reason the effort to be funny smells like sulphur in our culture.
The surprising thing is that I was not funny in high school. I was always jealous of the funny kids because they always got the girls. I couldn't tell a joke to save my life.
When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, 'Oh, wow. I could say this some day on stage.'
Nowadays they have 12 directors and 15 producers and 30 writers. And all the writers want their lines said a certain way-which isn't necessarily funny. I mean the lines aren't necessarily so funny to begin with.
