If you don't already know about jazz music, how would you be exposed? How would get an opportunity to find out if it spoke to you? If you get exposed to it enough, you might find a taste for it.
I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music ali...
I have truly eclectic taste in music, and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; world music, Brit-pop, classic rock, blues/jazz, even the odd bit of heavy metal.
Israel is a piece of real estate that neither Jew or Arab will let go of; neither will leave these shores. And so they will have to learn to live together.
Wagner's philosophy had absolutely nothing to do with Bruckner. Bruckner hadn't written a single word against Jews. Wagner's book on the Jews was one of the most infamous books of the 19th century.
Let's try to count the number of Nobel prize-winners that have emerged from scientific centres of excellence like the Weizmann Institute and Haifa's technical university, the Technion. There has to be at least 25.
The private sector is growing so incredibly in India, in every city you have industries for whom building a concert hall would be nothing financially. But they just don't do it.
For me to rehearse with a children's orchestra a Mahler symphony was to really work. We had three or four weeks of rehearsal with the orchestra, every day eight or nine hours, putting the First together. I had been conducting Tchaikovsky a lot and Be...
They [the critics] deal with Schoenberg’s early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.
I love the way Monteverdi's opera embodies the triumph of evil love in such a luscious way. The closing love duet is just pure amoral, liquid passion. The Orchestra of the Age of the Enlightenment sound great in the Albert Hall, and the Glyndebourne ...
So now, thirty years, forty years later, I mean, I could find a whole orchestra of a thousand to put these things together in New York City alone. In those days, if I could scrape up twenty musicians to do this it was something extraordinary.
Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.
In the measurement world, you set a goal and strive for it. In the universe of possibility, you set the context and let life unfold.
I remembered that Beethoven's symphonies had sometimes been given names... they should have call [the Fifth] the Vampire, because it simply refused to lie down and die.
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
Before, we may have taken part in it without even thinking it was American Jewish, but in this case, I think, you have now perhaps pointed us in a direction of a new interest in this repertoire.
I believe that a hundred years from now, when people look back at the 20th century, they will look at Miles, Bird, Clifford Brown, Ella and Dizzy, among elders as our Mozarts, our Chopins, our Bachs and Beethovens.
I'm still growing I take each day, one day-at-a-time. I'm always thinking and dreaming. As long as this heart keeps beating, there will be new things coming along.
In most places that are rich in guitar culture, everyone uses their fingers, like in Spain or Africa. In Japan there are string instruments played that way. It is not until you get in the States that you find people using picks.
You know as I started as a shy young conductor, I always wanted to cooperate. To build up the musicians. To help them to be better than without a conductor. And sometimes young talented musicians have to be encouraged.
I can go in front of an orchestra. I can go in front of an audience. But if you see me walking through an audience in the reception or through a lot of people, I'm still shy.
