I'm sad to report that in the past few years, ever since uncertainty became our insistent 21st century companion, leadership has taken a great leap backwards to the familiar territory of command and control.
The United States is the only power in history that became great by giving and not by taking. I think the crisis was when the United States had more money than ideas. Money doesn't produce money. Ideas produce money.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
My tendency as an actor was to correct people, was to say, 'What if we tried it this way, what about if we tried that way?' That's terrible habit for an actor, but that's a good habit for director. So I became a director.
The day after my high school graduation in 1952, I headed to Alaska. I was 17. I started out greasing equipment, then became a heavy-crane operator. I made and saved good money there for two years.
I just like observing people - it's something I've done ever since I was a kid, and I got really good at it. That's a big part of why I became a comedian. My audience is filled with every kind of person you can imagine, and I love that.
I have been an actor for most of my life. When I started out, I didn't think about anything except what was good for me. Like many movie stars, I became all wrapped up in myself.
Having two daughters changed my perspective on a lot of things, and I definitely have a newfound respect for women. And I think I finally became a good and real man when I had a daughter.
I've always been aware of my health - when you are having to go on stage and perform, you need to be feeling good - but when I was diagnosed with a life-threatening illness, I became really, really conscious of my health.
You don't make a decision about being a writer. There was a point, aged 21, when it became clear that this is who I am. The choice is how good you are going to be at it and how hard you are going to work.
Before I became famous I had a very full life, and that gave me a lot to pick from. I always use everything. It always comes in handy. Working with animals... Well, I just enjoyed that. That was the most peaceful time.
I became famous so quickly and so young - it was daunting. I was immature and I used to say some really stupid things in interviews. I never smiled on stage so I looked really serious, but it was because I hated my teeth and was incredibly nervous.
When I first became famous, I didn't know if I could go where I wanted to because I didn't know how people were going to act. Some folks would scream and holler, and I didn't know what to do with that.
Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.
Celebrity culture, it's everywhere, isn't it? It's reality TV, Big Brother. I didn't become a footballer to be famous, I became a footballer to be successful. I didn't want to be famous. Now people want to be famous. Why? Why would you want people fo...
When I was born in 1942, World War II was still going. And I began to realize when I became a young adult that if we don't teach our kids a better way of relating to their fellow human beings, the very future of humanity on the planet is in jeopardy.
I read that John Hughes script for 'Mr. Mom,' and I thought, 'This guy is a funny writer.' I went: 'You ought to stick around and direct this thing.' But he didn't; he left, and look what he became. A really legendary comedy director.
I was sitting in the looping studio late one night, and I had this epiphany that they weren't paying me for my acting, for God's sake, but to own me. And from then on, it became clear and an awful lot easier to deal with.
And I think that when I finally decided to let go and let God and allow that to happen, I became a lot more successful than I could have done if I had planned it all myself.
When I was in college, I became interested in various aspects of foreign policy and international relations. Even as a kid, I was interested in what I call, loosely speaking, forbidden knowledge.
I began to pick apart our knowledge of Frankenstein and discovered that the public's idea of this myth comes from a million different places... I became committed to recontextualizing it all so it all worked in one story.
