I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
Art to me is not precious enough that I feel territorial about what the word gets applied to. Conversations about what counts as art and what doesn't doesn't captivate my attention very much.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them. There is no such thing as bad art.
I am quite certain in my heart of hearts that modern music and modern art is not a conspiracy, but is a form of truth and integrity for those who practise it honestly, decently and with all their being.
Although all the good arts serve to draw man's mind away from vices and lead it toward better things, this function can be more fully performed by this art, which also provides extraordinary intellectual pleasure.
I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
When I judge art, I take my painting and put it next to a God made object like a tree or flower. If it clashes, it is not art.
I always think that art is one of the most wonderful exciting curious ways to learn. I have no worries or apologies about art being used as a teaching medium.
Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
I think we're much smarter than we were. Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
I am always rethinking how art is perceived and received, questioning our relationship to art. That's always been a constant.
I saw Joseph Cornell's lyrical work for the first time at the Museum of Modern Art in the late seventies and have internalized many of his boxes.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.
I spend my time trying to figure art out. I was brought up to believe that the way one processes information is by making it into art. That's how I live my life.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
I mean, certainly it's the single biggest event, I think, in terms of popular entertainment, or art even, if you say that, of the 20th Century. It's been film. It's the 20th Century's real art form.
If the culture shifts, if people think differently about women, the art will shift, too. You can't ask art to make social change. It's not what it's for.
I had an art teacher who's the reason I got there in high school who encouraged me to go to Alabama. That's where she had gone and kept raving over their art department.
Art is a subjective thing, and it should be a subjective thing. And the difficulty of subjectivity is that it becomes hugely problematized when you start applying large sums of money to art objects. That's where it all starts to get a bit sticky.
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
You have to do something. If you do something, you become somebody. Even a daffodil does something, has a profession. It gives off scent, professionally.
