When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
I'd just recorded it in Mariah Carey's studio. THey thought the song was perfect for Nina, because she's so shy, so it was nice to have that connection with Nina in the song. It was special.
Even though other people wrote my songs I put my stamp on them. I have a connection, but there is no truer connection than an artists and their own song.
Indie band names would make better song titles; indie song titles would make better band names.
I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.
My favorite music isn't necessarily the songs that One Direction come out with. That doesn't mean to say I don't secretly really love some of our songs, which I do.
Human beings love poetry. They don't even know it sometimes... whether they're the songs of Bono, or the songs of Justin Bieber... they're listening to poetry.
You have all these song titles and song time, and you put it in a certain order, and you slap a cover on it. That's a record. That's how I've seen all my records.
My go to karaoke song is 'Stars' from 'Les Mis', which is Javert's song. And it's super strange, and every time it comes on people are really weirded out, but that's what I do.
People are consuming more than ever, but I think they want a bit of honesty and depth. Adele, Gotye, Janelle Monae - they're giving you a catchy song, but it's also a challenging song at the same time.
'The Warmth of the Sun' was a very beautiful song that Brian and I wrote in the time period associated with President Kennedy's assassination. We didn't write words about that, but it was around that time we recorded that song, and there's a lot of e...
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.
Early on I realized when you write a song about someone, it flatters them on some level, and gives you a lot of room to move within a relationship. A song can kind of get the girl, for sure.
Whenever you're in a relationship, you have that favorite song that reminds you of when you first got together or when you first kissed, and then every time you hear that song, it reminds you of that person.
I think a lot of people think that my parents' deaths is why I write such sad songs, but that's not true. Those songs may just be the woman I am.
I love our industry. I love the song. I love the voice. I love it. Not necessarily my voice. But I care about the song and the voice.
I would love to do a collaboration with Lil' Wayne. I would have loved to sing on his song, 'How To Love.' I wanted to do the remix to that song really bad.
Every single song I've ever written is sung by a character created by somebody else. Some might have a jaundiced view of love, some don't. But none of these songs is me singing - not a single one.
When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.
