I love hearing my song on the radio the first time, but when it comes on again, I change the station. I already have so much of the spotlight on me. I don't need any more.
It's a great honor when somebody takes your song and does something different with it. That's what music is all about: to constantly change what somebody else has done.
Usually I write the songs at home and then I bring them in to the band; when we play them as a band, that's kinda how we figure out the feel of how they're going to be presented on the record or live.
I wrote '('Til) I Kissed You' about a girl I met in Australia. Her name was Lilian, and she was very, very inspirational. I was married, but... I wrote the song about her on the way back home.
I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
I think there's always been hope in my songs, no matter how they've first appeared. I think there's always been a shred of hope in everything I've written 'cause I like that balance.
I write some country music. There's a song called 'I Hope You Dance.' Incredible. I was going to write that poem; somebody beat me to it.
I've always littered my songs with jokes. You might need to dig a little deeper to find the humor, but I would totally object to being some kind of distraught personality. I've never tried to attach myself to that.
Whether you're a history buff or a fantasy fan, Druon's epic will keep you turning pages. This was the original game of thrones. If you like 'A Song of Ice and Fire', you will love 'The Accursed Kings'.
I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
If you look at the history of music, you have classical composers, church music, pop music, etc. Music that's existed for centuries. I think there are some songs that are close to immortal. They will last longer than we will in this lifetime.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
Pop music has greater power to change people and to affect people because it's a universal language. You don't have to understand music to understand the power of a pop song.
I can tell jokes. I can talk to the audience. I can relax. I can change my songs whenever I want. I can change the tempos. I can change the mood, because I'm in charge.
I lost my brother in a car wreck when I was 14 years old. When I decided I wanted to be a country singer, my dad always told me, 'Son, you should write a song about your brother.'
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
Is it possible Hanukkah doesn't inspire folksy songs? Plot lines may be a part. The Christmas story has a lot of material to work with. There's Jesus and his birth, the wise men, their gifts and tons of frankincense.
The earth has grown old with its burden of care, but at Christmas it always is young, the heart of the jewel burns lustrous and fair, and its soul full of music breaks the air, when the song of angels is sung.
So we're considering doing a new Christmas album, because there's been Christmas episodes since then, and maybe finally do the version of 'The Most Offensive Song Ever' with lyrics intact.
My dad's songs were really written to make certain people feel as though they had some kind of value. Because they were told from where they work and from the countries they had immigrated from that they did not.
When my dad passed, there's a lot of sadness right below the surface, and I think there will be until the day I die. So, writing sad songs helps it. And when I sing them, it's pure therapy for me.
