As far as I'm concerned, I'm now in the business of making spiritual records and using my voice for that purpose. I'm not going to be singing songs that I made in the past. I closed the door on that incarnation of Sinead O'Connor.
Working with Yahoo! allows us to give our fans a chance to listen to our songs, check out the video, purchase our new album, win tickets to our show, and chat with us all in one place.
There was a chance for me to write one song for the section where Elvis sat in his black leather outfit and sang the old hits. At eight oclock the next morning I had written Memories.
I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.
I'm not the type of artist that's like, 'Let's go out and party and dance your life away!' I think those artists are so cool, but I wanted meaning in my songs and they have messages.
If you go back to 'Pretty Fly,' it was a very popish song, but there was a satirical side to it, and I think that's cool. I like the idea that it's making people think just a little bit.
My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
'American Top 40' allowed me to be current without my having to force change to keep up with things. The new songs kept us up to date, so every show sounded fresh.
When you're young you don't think, 'This person is going to change your life.' But when you start recording your own songs, it comes back and reminds you.
I totally accept that it's a legitimate criticism that when you are involved in the day-to-day scrum of government... that what can get lost is the narrative, the hymn sheet... the song that inspires and lifts people's sights.
Michael came home and asked, Would you like to write a song with me? I got this idea for a title called A Kiss at the End of a Rainbow. So we had a couple glasses of wine and wrote it.
When I think about the songs I might record, I ask myself, 'Can I picture anybody I know back home sitting in their truck cranking this up?'
Social topics may hit too close to home for people, but then again, if you pull a heartstring, then that's what country music is. It's not just songs about getting drunk and leaving your girl.
I doubt I'll be singing forever, because at some point people aren't going to want to hear my music, and I hope that I'll still get the opportunity to write songs.
'Peace Train' is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions. There is a powerful need for people to feel that gust of hope rise up again.
Because they're my stories, they're my version of events of the past three years. But I really hope people can hear their own stories within the songs and they can become our version of events.
My first instinct when I write songs is not a negative one. It's something positive... Everything I've ever done has some form of hope in it, I think.
The Bible is not just one book, but an entire library, with stories, songs, poetry, letters and history, as well as literature that might more obviously qualify as 'religious.'
Over the years, a lot of rappers - Lil' Wayne, Ice Cube - have used my name in their songs. I'm a real touchstone of history.
But the greatest thing about music is putting it out there for people to figure out. You want the listener to find the song on their own. If you give too much away, it takes away from the imagination.
It's not just about getting a song on the radio or appearing on television. It really is about helping people change their lives one day at a time.
