My career plan at this point is 'Ice Age 5' through '10,' and even '12,' and 'Spider Man' - you know, basically I'd be Emma Stone's dad for the rest of my career. I really don't have any problem doing that.
I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
I've got no hamstring in the middle. I'm basically running on two hamstrings on my right leg and three on the other. That injury has probably changed my whole career. I've been compromised from the age of 19.
I basically started playing violin at the age of six. That lasted about three years because my previous teacher died and the second teacher didn't really know how to successfully get me going.
People are naming it the Third Wave, the Information Age, etc. but I would say those are basically technological descriptions, and this next shift is not about technology - although obviously it will be influenced and in some cases expressed by techn...
I'd like to talk about free markets. Information in the computer age is the last genuine free market left on earth except those free markets where indigenous people are still surviving. And that's basically becoming limited.
Although I managed my schedule to be home by late afternoon most days, basically, Roselle raised our children alone. And so I missed out on a lot of wonderful moments, missed watching my kids grow into the wonderful people they are today.
'The Creative Habit' is basically about how you work alone, how you survive as a solitary artist. 'The Collaborative Habit' is obviously about surviving with other people.
I knew that going on 'One Tree Hill' was going to be an incredible vehicle for the record. What is amazing about it is that my role on the show is, you know, basically playing a musician, and all the songs she plays are off my record.
All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.
I think I'm basically the same guy I always was. Maybe I've learned, through experience, to rein in some of the anger and temper they say redheads normally have.
Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
I suppose it's true that most great television, literature, and other forms of high art (and basic cable) benefit from a little hindsight. 'M.A.S.H.' comes to mind. So does 'The Iliad.'
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
There was once a time when art history and film were basically the same medium, but art history is frozen in late-19th-century technology that has survived into the early 21st century.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
All families are psychotic. Everybody has basically the same family - it's just reconfigured slightly different from one to the next.
Feeding the family trumps conviction every time, Mary though, a basic law of the human condition.
Hunger and necessity are poor teachers of morality. A society that cannot provide the basics of life does not get its laws obeyed.
By the standards of magical society they’d fallen at the first hurdle: they hadn’t had the basic good sense to keep their shit to themselves.
To view the opposition as dangerous is to misunderstand the basic concepts of democracy. To oppress the opposition is to assault the very foundation of democracy.
