A lot of other bands have tried to go out there and say we've got views on this and views on that. But some of it I've found opportunist. Duran Duran has always been honest about everything. We've always laid everything out.
Before 'Local Hero,' I'd been knocking about Glasgow in rock bands, drinking too much and generally being 21. My opinion of actors was that they were straight and boring, so you see, I was completely unprepared for being one.
We have a very loyal fan base, the kind tat buys the record the day it comes out, sees every show, and that's fantastic, but what about the people who would never hear about our band?
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
For a while I was perfectly happy not performing with 'The Who.' From 1982 to 1989 I felt 'The Who' did not exist. I let the band go, in my heart. However, Roger Daltrey had other ideas. He would not let go.
We’re sick of hearing people say, “That band is so gay,” or “Those guys are fags.” Gay is not a synonym for shitty. If you wanna say something’s shitty, say it’s shitty. Stop being such homophobic assholes.
I got in the school band and the school choir. It all hit me like a ton of bricks, everything just came out. I played percussion for a while, and stayed after school forever just tinkering around with different things, the clarinets and the violins.
The U.S. spent billions of dollars to build a secular, professional national Iraqi army but failed because, despite all the U.S.-supplied guns, tanks and planes, the Iraqi military fell apart when challenged by a band of terrorists.
But Eddie does not make all the decisions. Eddie can listen to reason; Eddie can be swayed or talked in or out of certain things. Eddie allows other people to lead in this band and to have certain roles that are very fundamental to the decision-makin...
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
One night all the James Brown band was playing on stage and I look in the back and I could see Mick Jagger and Keith Richards trying to get in the club and they couldn't get in cause it was to crowded.
The Alanis Morissette tour, everybody thinks that was all sitting around, lighting candles and talking intelligently about synergy and big words. That band was so gnarly. We were such scumbags. Alanis had no idea. We were like Van Halen.
My early influences were the Shadows, who were an English instrumental band. They basically got me into playing and later on I got into blues and jazz players. I liked Clapton when he was with John Mayall. I really liked that period.
They sounded really professional because they had two Vox AC 30 amplifiers. I also had an AC 30, so when you looked at it, three AC 30s, three Fenders - bloody hell, it must be a great band!
When I return to the writing process after being away from it for a while, the first part of it always is being honest with myself: What am I into right now? Is it rock bands and guitars, is it noise, is it dance beats and electronics? Is it space, i...
When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.
We wanted to guide the musicians, so we could create our own sound. We would never let the band just go in and play the chord sheets. We were very focused on what we had in mind for these productions.
I've got quite a big gay following. I played a lesbian prostitute in the TV series 'Band Of Gold' but I think my following really grew when I played one in the film 'Imagine Me & You,' with Piper Perabo.
Quite often, little germs of ideas have come from something that I've observed or someone's told me. The process of it becoming fiction is expanding and extending it: stretching the rubber band of reality.
Barry White, Smokey Robinson and Curtis Mayfield are big influences for me. But I'm also a metal head. I was in a bunch of punk rock bands. The Bee Gees, hip-hop and the Beach Boys are just as much of an influence on me as Smokey.
I was always told that I was too strange or that I was too cheesy by different groups of people, like the record companies said I was way too weird and the indie people wouldn't even let me in their band.
