I didn't have any money. I had a sense of terrible loss. But what I also had was a fire in my belly. I wasn't going to go back to waiting tables. I felt I had to be better at fronting a band.
What I see for the band by the end of this year is the Complex live at the Montreux Jazz Festival. I want my guys to be comfortable. I'm certainly not in this for the money, but I'd really like to see my guys make some money off of this stuff.
I remember the first time I received a cassette tape of a band called The Clash. I became an instant fan of the Clash and then bought their albums after that and went to their concerts and gave them my money... but I first got it for free.
Just getting movies made is difficult because it takes a lot of money; I mean, it costs more money to make one movie than most bands will spend on every single record of their entire career; it's a huge undertaking.
It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.
I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.
I think a lot of bands go on way past the point where they're relevant. Some of them keep doing it because they're making millions of dollars. Or people are afraid - they don't know what else to do. It's scary to get out of a relationship of any kind...
The relationship between 'My Chemical Romance' and Michael Pedicone is over. He was caught red-handed stealing from the band and confessed to police after our show last night in Auburn, Washington. We are heartbroken and sick to our stomachs over thi...
When I go into rehearsal rooms and meet with bands, they're genuinely excited to be with me because of what I've done as an artist, not because of anything else. There's that whole celebrity rock star thing, and artists are into artists who have been...
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
I started playing piano with a little band in high school. I was terrible. I thought I had absolutely no talent. I couldn't keep time. I only got into McGill, which was a lousy music school, because they were taking American music students.
I have my ideas, I have my music and I also just enjoy showing off, so that's a big part of it. Also, I like to get up onstage and behave insanely or express myself physically, and the band can get pretty silly.
We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
Yes, but I view Frank's music as fully composed. In other words, the arrangements can work for any idiom such as a rock band or an orchestra. Frank was a brilliant arranger and could make his music work in any context. He proved that tour after tour ...
I do know many a band out there, because believe me, we've played with most of them, who are together because they have to be. They might not talk to each other offstage, but they realize they can earn a living by going out and keeping that music ali...
'Aqualung' marks the point at which I had the confidence as a songwriter and as a guitar player to actually pick up and play the guitar and be at the forefront of the band. It's also the album on which I began to address religious issues in my music,...
I've been in very many situations where I've not liked the other members of the band or they have not liked me. I grew up presuming that's the way music was made. It doesn't need to be that way. It's taken me years years to find that out.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to...
I don't go to see bands any more because I've got tinnitus, so I have to avoid loud music. You get used to it, but when it's quiet you hear a constant ringing.
To be in a band, at least according to the rules of rock in the 1970s, one must know how to play an instrument. But rather than waste time solving that problem, No Wavers ignored it. The point was simply to make music, not to learn how first.
