I feel like bands should be growing, living, functioning entities and to crystallize a band into a single album, and for that to be a touchstone - I understand it from a fan's perspective but I also feel like it's a little bit misleading in terms of ...
Communication between band-mates is imperative. Communication is the key to any healthy relationship. If I need to be checked, I expect to hear it put in plain words what my faults are, and give my band-mates the ultimate consideration by shutting up...
I would join a band, learn from that band and be committed and passionate and bring my thing to the band. Then, when I felt like we were going to repeat ourselves, and I needed to learn more, I would go somewhere else.
The band we have now on stage is the band I always wanted to be in.
I've got the big name, but I've always wanted to be in a band, one of a band.
Yes, but I have to say this: the band is going to decide where the band plays.
I haven't a great jazz band, and I don't want one.
The first band I identified with from Chicago was the Muddy Waters band.
I was in a vintage pub rock band called Clover in the 1970s.
I met the Santana band when I was 14. By the time I was 15, I was a member of the band.
My mother was really into big band. It was played in the house all the time.
It was liberating to do comedy. It felt like playing in a jazz band.
It's the faster bands that made me want to play guitar, bands like The Jam.
Being such a big band is never a problem but it can be distracting.
A lot of rock bands are truly a legend in their own minds.
It was harder to break into comics than it was to become a singer in a rock band.
After all, in today's music scene every band seems to steal from other bands.
Heart has always been a rock band. It's always been hard-rock.
There are bands that I got into when I was 15, when I was mad at my dad and just wanted to be different. I don't think I'd give those bands half a chance now. But I hold some kind of nostalgia for them that I won't let go. Bands like Minor Threat and...
It was awesome growing up in New Orleans because there were great metal bands, there were great hardcore bands, there were great thrash metal bands in the middle '80s and what-not. But then, take me out of New Orleans, and I moved to Fort Worth in 19...
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watc...
