You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than t...
When I was a child I wanted to be Pope. My greatest disappointment is missing out on that. I also wanted to be a tap dancer but I never fulfilled that ambition either.
I became a dancer in self-defense. I was doing a comedy monologue and didn't know how else to get off, so I danced off. I've been dancing ever since, but I'm still a comedian.
'Eclipse' is a concept piece, and its concept centers on 36 large light bulbs strung from above in a geometrical pattern and at different heights, some of them at times down below the dancers' chest level.
'Empty Moves' is elegantly and coolly inventive. Two pairs of dancers shadow each other in slow, deliberate rearrangements and manipulations of legs and torsos, only occasionally switching partners or breaking free of the formal patterning.
As a kid, I was a dancer in Dick Whittington, Snow White and Cinderella. When I was 14, I played Baby Bear. I had a big head on, and you couldn't see my face. My mum was very disappointed.
I grew up very much an athlete and very much a swimmer and a dancer and a horse rider and surf lifesaving club, you name it I've probably done it. I just find so much gratification in being physical.
I have such a dancer's spirit that I tend to leap around the house. Once I leaped onto my bed and landed on the floor. But I danced more for myself than I did for other people.
A creative person has to create. It doesn't really matter what you create. If such a dancer wanted to go out and build the cactus gardens where he could, in Mexico, let him do that, but something that is creative has to go on.
I was a Russian dancer in my elementary school production of 'Fiddler on the Roof' when I was in third grade or fourth grade. I was one of the younger kids accepted into the play, and the plays were pretty impressive, let me say.
I always call 'Billy Elliot' a fantasy autobiography because I never wanted to be a dancer, but I got a lot of stick from the other kids about wanting to be a writer and being interested in drama.
For a performer, passion is far more important than technical skills. If a dancer's leg isn't at a perfect angle, I can see past that, but if someone's dead in the face, it's really boring.
If I live near a dancer or a painter, or a clarinet player comes from my neighborhood, I take some pleasure in that, feel a little more as if I come from someplace in particular.
In the boundaryless forests, there’re dancers of nude. Yet in the confines of pasture, there’s promise of food. On which is your side? Ô, but tarry and bide, ere you decide, in both do confide.
When my brother and me got into performing in the late '40s and early '50s, it was a sensational opportunity to learn from our elders. Every show we played had a dancer, a comic, a juggler, a singer, an acrobat. I came to appreciate virtuosity in all...
My parents were both in show business. My father was an actor, my mom an actress, and both singers, dancers and actors. They met in Los Angeles doing a play together and so I grew up in a show biz family.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
Who am I? I'm a man, an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.
I know I can't dance. I am the worst dancer. I have no rhythm. I just do step-and-snap. I love it in the privacy of my own home and every once in a while at a club. But singing and dancing are my two greatest fears.
As you get older, the physical abilities decrease, which is particularly frustrating because your brain gets so good! So as you are becoming less technically or physically able, younger dancers are emerging who need the space to perform.
The great thing about being the son of Maya Angelou is that I had the good fortune to grow up around some of the greatest black artists, dancers, singers, musicians, and actors of our time.
