We've carried that over into the visual development as well. We've designed quite an exotic cast of characters, but the last thing we want is to dictate to the players how their PCs should look. What we want to do is inspire.
We're gonna release a studio album probably a year from now and we've got these recordings that we did with Coco Taylor and Johnny Johnson, who was Chuck Berry's piano player.
I became more confident within myself and matured as a person and become a little bit more opinionated - maybe the lads might say a little bit too opinionated for their liking but that is just a natural progression for a player.
We don't get the Tony gift basket anymore. You used to get incredible swag - there was like $5,000 worth of stuff. I remember getting an MP3 player, gift certificates to restaurants, a three-year gym membership.
I think right now the jury is out on where and how much profit is available in the consumer electronics industry, because if you look at the current consumer electronics players, the biggest ones on the planet struggle to make profit consistently.
There's only so much you can do until you get on set and see the aesthetics of what you're dealing with. Then you see what the other players are giving to you. It's all about the transfer of energy between different actors.
If you do something really well, the entire world beats a path to your door. The number three, number five, number 400 player gets nothing. It's almost a winner take all.
I'm sick at myself for not winning more. But I am always trying to find ways to make myself a better player. I am not just turning up to make up the numbers.
Bernstein grew up in my building in New York. He's a very, very fine player. When he was a kid, he came by to find out what was going on in the world of jazz.
I had all the usual ambition growing up. I wanted to be a writer, a musician, a hockey player. I wanted to do something that wasn't nine to five. Acting was the first thing I tried that clicked.
The top players talk more now, and we have more meetings. We're just trying to get things better. But we still need somebody who could make a difference.
For a combination of reasons, and despite evident fondness for American products and individuals, my impression is that most Pakistanis have extremely negative views of the U.S. as a geopolitical player.
I wish that every player could feel what I've felt in visiting ballparks. The receptions I've received, it's blown me away. It's absolutely remarkable.
As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
I think I am a complete player. I can play well on all the surfaces. For me, the clay might be easiest, but I am not a specialist on clay.
If I live near a dancer or a painter, or a clarinet player comes from my neighborhood, I take some pleasure in that, feel a little more as if I come from someplace in particular.
you are not an athlete because of what you can do, but because of who you are: a team player, someone who never quits, who strives to be his personal best, and who believes in fair play.
I'm basically a keyboard player, so if it's got a keyboard on it, I'll give it a shot. I played a lot of organ in the early days. I can make a few chords on guitar, but that's about it.
I was a baseball player at North Central High School in Spokane, Washington even though I was all-city in basketball, even when I signed a letter of intent to play quarterback at Washington State.
The way I look at myself, the biggest achievement in my eyes - forget winning trophies or scoring in World Cups - is that I'm still at a top club playing at a really high standard having been almost two different players.
If you look at tennis, the girls have become much more attractive; they wear makeup. In my generation, you were a tennis player. It wasn't like you had to look a certain way.
