Me and Kylie are sisters, but not everything we can always do together. She's not trying to be a model. She's trying to be more like a personality. We're trying to kind of separate ourselves - not in a bad way!
Today, models are able to share industry news, trends, and communicate with fans through Twitter, Instagram and blogs. So in a way, our position as models is way more personable and relatable.
I was 14 when I started modeling. At the end of that first day my mum said, If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.
I started going back and forth, New York, London, New York, London. I wasn't looking back at all. I was doing tons of jobs. Working, working, working, working.
I kind of lost interest in school. I was never really that interested anyway. I was never academic. I didn't really go to school as much as I should have.
Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.
My first year of pro ball I played in the Northwest league and made the all-star team, and the next year I played I led the team in hitting and was third or fifth in the league.
The cast called her Lucy, but everyone else called her Mrs. Ball. She was honest with people. If she liked you, you knew it. If she didn't, you knew it, also.
You have to be 100 percent comfortable with yourself and who you are. You'll have unflattering pictures posted on the Internet for all to see, so you have to be able to handle yourself and stay true to yourself.
The first Victoria's Secret model I ever met was Adriana Lima, and she was so nice to me. She was very generous and very nurturing. She made sure people talked to me!
I quit acting when I was 11 because I was cast as a bouncing ball in 'Alice in Wonderland,' and I felt slighted and wounded.
I've worn jeans until they're ripped all the way around the crotch and I can't wear them any longer. You get so attached to jeans, they're like old friends.
As long as designers want to dress me, photographers want to take my picture and companies think my face will help their products, then I won't go anywhere until they're done with me.
Sure, I like my short hair. It also quadrupled my rate. I did get sick of seeing it on everybody, though - every stewardess, every salesclerk, and in every restaurant.
You decide that you don't want to go backward. You want to go forward. But sometimes, going 'backward' isn't really going backward, it's actually moving forward.
I mean, sometimes when you do a show or a campaign with a designer, you get along with them really well and you become friends. And then, sometimes, people are just a bit... weird.
I think a girl always needs a cardigan, and I tend to go for the sparkles. I have a minimum of 50 embellished cardigans. I'm not a believer in less is more; I'm sort of a believer in more is necessary.
I wanted to create things that you can always pull out of your closet and rely on. I wanted to create a timeless, classic collection of clothing that you can keep expanding on.
I don't think I realized the extremes of my proportions until I moved to Paris. I thought I'd be 'normal' as a model, but actually, even in that world, I was at one end of the spectrum.
Actors need bricks to play with, and in fact we rejected all the improvised fragments we had made without a plan. Improvisation without a plan is like tennis without tennis balls.
If I didn't ever model? I would be back in Kansas. I would probably end up being a pastry chef. My grandma taught me how to make a pie.
