I don't feel the need for religion. But I went on a yoga retreat last year and I do believe slightly in the karma thing and just being good and true unto yourself. And I slightly believe that you can attract good and bad to you.
My golf score is really bad. I don't know. I'm definitely not a good golfer. Off the tee box, I can drive it about 275, and I'm in the fairway about 99% of the time. It's my next shot that needs work.
Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
A good meal is very important to me. When I have a bad meal, especially out, it's like I'm sitting in an airport during a flight delay. It's a part of my life I can't get back.
The worst thing you can do is try to manipulate or control perceptions. It's impossible, and when you are found out the result is disastrous. Better to be transparent and play well with others so that when bad things happen you have a reservoir of go...
Heartbreak has definitely been a big inspiration for me. You can write about a bad situation and just feel so much better afterwards. For me it's very therapeutic. But love in general - even when it's good - is always very inspiring.
Usually action films have a formula: good guy gets in trouble, his wife dies, friends have problems, so he goes to the mountain, learns martial arts, comes back, and kills the bad guy.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them ...
The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good.
The way I wanted to write it, is with a hero, or sort of a pure character who was the protagonist. And the antagonists were these demonic evil children, cause when you're a kid, seven or eight years old, and you're looking at the world around you - e...
Classical stuff takes a lot of rehearsal time and preparation, but with stuff that involves improvisation, you can over-rehearse it and it gets stale. You don't want it to be too comfortable. In fact, a good sound check, a good rehearsal usually mean...
I wasn't really a dark kid, but I was in my head a lot. I got good grades all through my 16 years of Catholic school, but I was always writing these weird - and, I have to say, really bad - stories, filled with murder.
Smoking sucks! The one thing I would say to my kid is, 'It's not just that it's bad for you. Do you want to spend the rest of your life fighting a stupid addiction to a stupid thing that doesn't even really give you a good buzz?'
I've learned that there's a signature Metallica sound, and if we stray too far from that, our fans get impatient, or they just don't understand, or they miss the point. And I'm not saying that's a good thing or a bad thing; it's just something we hav...
For good or bad, there is a certain level of generalisation when it comes to my work. I want to break that perception. My decision to direct 'Bombay Talkies' or to present 'The Lunchbox' is an attempt to do that. These are the films that gel well wit...
We have to acknowledge that adolescence is that time of transition where we begin to introduce to children that life isn't pretty, that there are difficult things, there are hard situations, it's not fair. Bad things happen to good people.
I think writers like to see how people bring their words to life, and it's always surprising. Always, no matter what, whether it's good or bad, it's always surprising because a whole human being is coming to that piece of writing.
The trouble when you die is that everyone says you were nice. I would like to be thought of as genuinely nice. I would like there to be people who can honestly say, 'Len! Oh yeah, there was more good than bad in him.'
What are you going to do? Admit to yourself that the pitchers have you on the point of surrender? You can't do that. You must make yourself think that the pitchers are just as good as they always have been or just as bad.
I don't like having people pick me out on the street. I don't like the status - good, bad or indifferent. I don't like it. I want my private life back, and I'm never going to have it.
One good and bad thing about New York is there's so much exciting stuff and so many people doing something interesting. I actually find in New York that you become more careerist and more focused on what's the newest, hippest thing.
