All that's left now is purely poetic work, putting more life into individual places, as I've made so sure of the fundamental mood and dimension of expression that it won't leave me groping around in uncertainty any more.
If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think.
I have always felt that the truth is prophetic, and that if you describe precisely what you see and give it life with your imagination, then what you write ought to have lasting value, no matter what the mood of your prose.
As children we were bombarded by competing answers. Church says one thing, school another. Now as adults it's no surprise that if we discuss the nature of it all, we generally spout some combination of the two, depending on our individual inclination...
The two have to go hand in hand - the atmosphere and the music. I actually get rather worried if I can't see the music first. There always needs to be a mood, a feeling, a story, even if it is abstract. There's got to be a narrative to guide things b...
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep it within the realm of a score; it still had to lead the viewer through the scene, or just help create the moo...
For me, living and making music, they're one thing. It's not like a job that I go to a studio to do, or a chore that I have to get myself in the mood to do, or something. It's the thing that I need to do every day.
If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. E...
Music is very nebulous, and you can conjure up a lot of moods with music. But lyrics - they're a lot more tangible. They're much more specific. And you want to say something meaningful and creative and artistic and that tells a story and that takes p...
I don't often reread my own books, unless I am going into another in the series and need to refresh my mood when originating the concept.
Sometimes I'm in a mood like a Maths problem such as "If you have 4 pencils and 7 apples, how many pancakes will fit on the roof? Purple, because aliens don't wear hats".
We did not treat the Americans badly. They left Iran in a relaxed mood. The embassy was active here after the revolution. We didn't have any problem with them. They started it.
THERE is something in the autumn that is native to my blood— Touch of manner, hint of mood; And my heart is like a rhyme, With the yellow and the purple and the crimson keeping time.
Women have a way of contorting things sometimes. We all have our moods, ups and downs. Or if the guy doesn't say anything when you walk out with a new top and the guy has no idea why you're mad at him. So of course, women are complicated.
The reason I wrote 'I'm Too Young for This!' is to spare young women the suffering of hormonal loss - and it is true suffering. You can't sleep, you gain weight for no reason, you bloat for no reason, your moods are altered, and your sex drive is dim...
That's not a bad word...hate and war are bad words, but fuck isn't.
To get to play a bad person and do bad things in a safe environment like 'Arrow' was pretty amazing.
Being stubborn has helped, being selfish is not a bad thing.
Nothing dies harder than a bad idea.
It's better to not have a reputation than a bad one.
I have the same friends and the same bad habits.
