There's always blood on the carpet when I play Beethoven at the piano. I hate playing the piano! And it's so hard to fight for Beethoven's soul! But that's what I have to do!
Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.
Creativity is more than just being different. Anybody can play weird-- that's easy. What's hard is to be as simple as Bach. Making the simple complicated is commonplace--making the complicated simple, awesomely simple--that's creativity.
We have the Fine Guidance Sensors, one of which we will exchange out of three. Another one we changed on the last servicing mission, and on the fourth servicing mission in 2003 or 2004, the third one will be exchanged.
Another thing that I don't like to do is show too much how it goes. I do it once in a blue moon. Sometimes there are lessons when I don't pick up a violin at all.
Kleiber was the perfect dancer - so perfect that you could see the process. After all, dance is a process; it's a series of snapshots. Kleiber knew how to connect people to the flow, so he could stop managing people.
The one help we all need is given to us freely though the Atonement of Jesus Christ. Having faith in Jesus Christ and In His Atonement means relying completely on Him-trusting in His infinite power, intelligence, and love.
Mistakes can be like ice. If we resist them, we may keep on slipping into a posture of defeat. If we include mistakes in our definition of performance, we are likely to glide through them and appreciate the beauty of the longer run.
People still call me the eternal amateur. After all, professionals are supposed to be able to conduct everything. But I can't unless I feel some connection inside. Conducting is not an end in itself for me.
Ever since I was a kid, I wanted to go to Oberlin and wanted the liberal arts. Obviously I really get intense pleasure out of drawing connections between pieces and poems and literature and ideas.
It is going to be an experiment of how it works, and I see I have all reasons to believe that it will work fine. But it's a short time. And we also have pushed the envelope here a little beyond what has been done in the past.
I like to think I would not have approved those methods in the past, but I do not fault those who made the decisions at that time, and I will absolutely defend those who carried out the interrogations within the orders they were given.
Capturing any member of any terrorist cell or any insurgent cell that we may happen to come across is always very, very valuable, and the thing that interests me is that in most instances after a time, people talk and they tell us what they know.
We would like to carry out 100 percent, or maybe more, of our scientific program; I would like to devote some of my spare time toward extra scientific work.
I've said for a long time, clearly the - a, a critical key to success in the region is going to be Pakistan and our relationship with Pakistan, which was one that was broken in the late '80s and which we've worked hard to restore.
This idea, as you know, that I have firm convictions that the idea of issues being a big deal where our mutual friend went back and he felt so strongly that the determining factor in electoral success should be a proven character.
Possessed with a full confidence of the certain success which British valor must gain over such enemies, I have led you up these steep and dangerous rocks, only solicitous to show you the foe within your reach.
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk ba...
Purcell is a composer who had a formative influence on British music - even The Who now cite him as an influence. There's an intense, dirty harmony, but there's a Louis XIV kind of elan and style, too. He had the melancholy DNA of our national folk h...
If you have a piece by Bach, he often develops the piece to such a high level that you can hardly do much more to it. But Saint-Luc wrote very simple baroque music, and so if you do not embellish it, it just falls apart. It's way too simple.
