For me, acting is becoming naked in front of people, you know? And when you know in the back of your mind somebody is testing you, you cannot really bare yourself. That's a feeling I always have when I'm auditioning.
I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
I had some years of definite frustration. Auditioning and not working as much as I would have liked to, or working and being paid a pittance, and sort of scrounging by in New York and sleeping on a chair that folded out into a bed.
That was more or less coincidental in the sense that my parents wanted me to come back to New York because that's the center of musical activity still to this day, more or less, and so I auditioned for the Metropolitan Opera.
I would have gone to law school, or gotten a psychology degree. I wasn't interested in sleeping on a futon forever. And what happened is I walked into auditions, and I had nothing to lose, because I had a backup plan.
I met my husband, Will Smith, when I was 19 and auditioned to be his date on 'The Fresh Prince of Bel-Air.' They said I was too short to play the part.
I didn't really take a lot of any on-camera classes or anything like that. I really just threw all of my energy into auditioning, and I know that I basically just did things based on feedback that I would get.
But I've lost parts because of my looks. I auditioned to star with Richard Dreyfuss in 'The Buddy System.' The producers said no one would believe he would leave me for another woman. They just couldn't see me with him.
Then, in 2000, John Reid, Elton John's former manager, asked me to audition for the stage version of The Graduate he was producing. So I worked on it, got the part, and after three weeks' rehearsal I was on stage!
I got the regular call, that they were doing a Broadway musical of Hairspray, and would I come and audition. I was familiar with the movie, because at the time it came out my lover wrote for Premiere magazine, and we had to see everything.
I went to the University/Resident Theatre Association auditions. Deans come and watch you in this theater. You have three minutes, and you have to do two contrasting monologues - at that time, this is 2003 - one classical and one contemporary.
I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guaran...
'Dawson's Creek' was my introduction to the industry. It put some money in my pocket and it put me in the position I wanted to be in, where I could audition for projects that I wanted to be a part of. I didn't find it creatively fulfilling in any way...
I was doing a Broadway musical called 'Smile' with Howard Ashman and Marvin Hamlisch in 1984/5 when it abruptly closed. Howard was in the middle of pre-production for 'The Little Mermaid,' so he kindly invited all the girls in our cast to audition fo...
Chicago is constantly auditioning for the world, determined that one day, on the streets of Barcelona, in Berlin's cabarets, in the coffee shops of Istanbul, people will know and love us in our multidimensional glory, dream of us the way they dream o...
I suppose the biggest thing I learned is that I'm in it for the right reasons. I love my job as much now as when I first began. I still feel fully invested in every audition, every job - large or small, every appearance, every meeting with every fan.
If you have a passion and love for something, it's hard to give it up. I had jobs where the people were helpful and let me go to auditions, and I'd make up the hours another day. I was lucky in that respect: I could afford to get to London.
You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes in...
I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I w...
If I had a project that I had auditioned for and I was getting close to getting it, I didn't want to tell anybody because I thought then I wouldn't get it, but in reality that really had no bearing on whether or not I got a part.
When I walked in to read with Edie Falco, it was nice, because I auditioned in New York, and it was very quick. You walk in, there's Edie, the producers, the director, and a camera. I read three scenes, and it was done.
