I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
You think you can go into all those auditions not knowing who you are? The work came after I found my sense of self - when I wasn't so manic and desperate.
In North Carolina nobody bothers us; we're all about concentrating on the work or our auditions that we're trying to get a flight out for. So all that crap is not something that I'm confronted with on a daily basis.
That's where I got my start and where I'll continue to work, but I can't tell you the number of films between Drugstore Cowboy and Curly Sue that I auditioned for and wanted that didn't choose me.
I was modeling with an agency in New York and a manager with the agency introduced himself to me one day and he said he had auditions for someone my age. He asked if I would be interested in doing some.
I started as a musician. I play the saxophone, but from the age of 17, I realised that it's very hard to make a living as a jazz musician in Australia. So I went for an audition and got an acting job and, fortunately, I completely fell in love with t...
I started playing the violin at age 3, and I was very fortunate because there were people who heard me who were influential in getting me auditions. By the time I was 7, I was playing concerts - it was just ridiculous.
Birdie is amazing and such an incredible child and I'm having such a great time being a mom but I still want to have a career and I still look forward to auditions and parts, and when I don't get them I'm disappointed.
When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'
A great band name would be Tickling Whiskers. Especially if the lead singer is a cat. I’d love to audition for backup dancer.
It kind of pays off to try your best at every audition; you never know what can happen. You can get a hundred nos, but if you just get one yes, it can change your life.
I knew the words to 25 rock songs, so I got in the group. Long Tall Sally and Tutti-Frutti, that got me in. That was my audition.
With pilot season, you have to jump through so many hoops, there are so many people in the room, you end up doing four or five auditions. You're just quaking by the end of it.
I had to audition as an actor, and I got so tired of doing the same monologues over and over, so I started writing my own, and then I started selling them to other actors.
And when I have lived elsewhere, every two weeks I have to fly back to LA. Even New York directors go there to audition. So I have to be there to a degree.
Most of the auditions I went on, I passed up the projects because I just wasn't interested. When I read A Knight's Tale, that was that. I knew I wanted to do this movie.
But I certainly know a lot of people that existed at that level and are always kind of pining for more, always thinking that the next big break, the next opportunity, the big role are just around the corner of the next audition.
I was a freshman and auditioned for the school play. Freshmen usually never got cast. I was the first freshman to be actually given a legitimate part and it was that feeling of 'Wow! I broke the system!'
The Professional Children's School, it's for professional kids, so if you wanted to ditch, you could just write, Audition on a note and leave. I didn't really like school all that much.
I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever.
In general, the auditions I go up for are very sparse, I guess because of my ethnicity. And the characters are very similar: shy, innocent and naive; the connotations that come from the way that I look.