It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.
To sing a duet together means sharing with someone both the pleasure and the responsibility of making music for an audience which is there to feel enjoyment through music.
These things I sample, or clip, are things that we share - music, films, sounds. It triggers a layer of participation from the audience as they recognize the material and remember it.
I decided that I wanted to explore all kinds of music with my cello, not just the Western classical tradition. I just wanted to try and expand my vocabulary and bring that different kind of music to my audience.
It's absurd: half the movie audience are women, but Hollywood bosses are still aiming for men who are 20.
Every decade or so, Hollywood has an epiphany. It turns out faith-based audiences enjoy going to the movies, too.
You have to get the audience invested even if you're doing something that they think is dumb, it's kind of what these movies are all about.
I think the audience would like to see movies that are stunning to watch. I really think they'd like to see spectacles.
I don't care about being on top, about being No. 1. I just make movies for a few suckers in the audience, anyway.
'Bridesmaids' proved there was an audience there that we knew was there. It proved that women go to the movies. They want to see story about themselves.
Heckler in Audience: How old is Mae West? How old is Mae West?
Man (with wife) in audience: What about Pip, in poultry?
I don't enjoy British shows as a rule because British audiences are strange.
Chennai is the birthplace of a new language in cinema. The audiences here are the most evolved moviegoers to be found anywhere in India.
I never think about the audience. If someone gives me a marketing report, I throw it away.
We saw Hulu as an opportunity to broaden our audience for ABC content.
If someone realises the piece they are wearing is inspired by me then it only broadens my audience.
My own personal taste in films as a member of the audience was not completely in line with films I was doing.
With 1,000-seater venues, rather than 5,000-seaters, there are richer opportunities for sucking the audience in.
Your lineage and surname become irrelevant after your first film. Audiences do not care.
You learn to read the audiences after a while, and there are all different kinds of gigs.
