I always think it's hard for any young actor to make that transition to more grown-up roles. Because you don't want to alienate your audience who has been supportive of you for so many years, so you kind of have to tiptoe through that process.
I've always been fascinated by the difference between the jokes you can tell your friends but you can't tell to an audience. There's a fine line you have to tread because you don't know who is out there in the auditorium. A lot of people are too easi...
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
During seventy years of TV, the audience came to feel that the rules are, you can't kill the second lead on your TV show! Whatever's going to happen, it's all okay because there's no way they can kill the star.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your a...
[Waiting for Godot] has achieved a theoretical impossibility—a play in which nothing happens, that yet keeps audiences glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in whic...
Glamour invites us to live in a different world. It has to simultaneously be mysterious, a little bit distant - that's why, often in these glamour shots, the person is not looking at the audience, it's why sunglasses are glamorous - but also not so f...
I am wary of sequels. I understand them from the studio's point of view, but the audience doesn't want more, they want better, and I thought the second 'Ghostbusters' was not very effective, it did not really work, so there's no reason to believe a t...
The Bowery was a place that would let us do original songs - not just covers - but we would have to work for tips, so we learned how to work an audience. In order to keep our jobs, we had to keep people happy, so that meant playing the latest Lynyrd ...
All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience ...
He can hum the music in his old man's quivering voice, but he prefers it in his head, where it lives on in violins and reedy winds. If he imagines it in rehearsal he can remember every step of his three-minute solo as if he had danced it only yesterd...
[last lines] Tappy Tibbons: We got a winner, I said we got a winner, we got a winner! Our next winner is that delightful personality, straight from Brighton beach Brooklyn, Please give a juicy welcome to Mrs. Sara Goldfarb! The Audience: Juice by Sar...
Lucian [of Samosata; 120-190 CE] was trying to make his audience laugh, rather than start a revolution
Knowledge that is acquired is not like this. Those who have it worry if audiences like it or not. It's a bait for popularity. Disputational knowing wants customers. It has no soul... The only real customer is God. Chew quietly your sweet sugarcane Go...
The world of the everyday suddenly seemed nothing but an inverted magic act, lulling its audience into believing in the usual, familiar conceptions of space and time, while the astonishing truth of quantum reality lay carefully guarded by nature's sl...
In business presentations, positive impressions can help make a sale or win over an audience.
But some words to men and women, boys and girls alike: The quality of the work must merit the readers' time and money. Do it for yourself, but make yourself a member of your own audience. There is no other way to evaluate your own progress.
Public speaking professionals say that you win or lose the battle to hold your audience in the first 30 seconds of a given presentation.
The trick for business professionals, and for educators, is to present bodies of information so compelling that the audience does this (encoding) on their own, spontaneously engaging in deep and elaborate encoding.
Audiences like me doing action and comedy. I am a jovial person and have been so from childhood. I like to laugh my way through my work, and that attitude reflects in my roles. Even women hate me doing rona-dhona roles. So I don't do emotional films.
I have a philosophy that white people would be interested in Native Americans because, first of all, it's probably the only group as a country we all study and know the history and then never study again past the age of 10. So I think we have these t...
