'Big Bang Theory' is not my kind of show. It's not my humor. I don't like multicam comedies. I don't want an audience to tell me when to laugh.
I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.
Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.
Using rhetorical questions in speeches is a great way to keep the audience involved. Don't you think those kinds of questions would keep your attention?
The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.
I think indie films are really important, because they show the studios and the audiences when they see them, great stories. Really interesting, small stories.
Being called 'conscious' is a great thing to be, but it's the connotations and preconceived notions that come with the buying audience about what conscious music can be.
Feeling emotionally connected to a song, and accumulating every bit of the moment's energy to sing out to the audience is what I believe makes a great performer.
I feel like I share a great relationship with my audience where they trust my judgment and choice of films and sense of comedy.
Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
Anything that loosens you up and makes you freer is good, because that's what acting and performing is all about - being free. It gives you a better connection to the audience.
If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience.
I love music and love a good audience and still have to make a living. Why would I quit?
Only really good comedies and really good horror movies get a verbal response out of the audience. People will scream. People will laugh.
Yes, I did some rewrites of the show as some of the stuff was not very good and I worked my butt off to make it something that the audience liked and that I could be proud of.
Audiences don't ever disappoint me, in the sense that movies I feel really good about, they usually feel really good about too.
It's rare that you cut out something that is really good. You screen all of it, and when the audience doesn't respond, you cut out whatever is holding the story down.
It's one of the things that looks good written down, but the reality is that you think about the pieces you're doing and try to bear in mind everyone in the audience.
I always think if it's a good story, the audience can't wait to run out of the theater and go tweet somebody with the gist of a story, in a nutshell, almost, because it was that interesting.
'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?
