I did a fantastic emotional film, 'Autograph.' But the audiences rejected me in it. They like to see me laughing and fighting.
I think that by ignoring the show you're ignoring the audience who put you there.
You can make an audience see nearly anything, if you yourself believe in it.
D.C. is one my largest audiences. They buy tons of records of mine in Washington, D.C.
I think you should make a movie that has an audience.
There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.
I'm not sure why no one wants to admit there's a viable audience out there that believes in God and wants to see a movie with their family. The demand is there. The supply is not.
I prefer to think of the audience as a single living organism with which I am sharing a singular, never-to-be-repeated experience.
People test movies within an inch of their life so that the entire audience experience is a uniform one.
My goal is that we should have a rich engagement online that caters to a general and scholarly audience and that can provide a seamless experience for people, whether they are up the road or on the other side of the world.
I have no experience performing that music live in front of an audience. So that remains to be seen. I'm very excited to see what that's going to be like.
I don't know what the secret to longevity as an actress is. It's more than talent and beauty. Maybe it's the audience seeing itself in you.
I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.
In day-to-day commerce, television is not so much interested in the business of communications as in the business of delivering audiences to advertisers. People are the merchandise, not the shows. The shows are merely the bait.
I firmly believe lyrics have to breathe and give the audience's ear a chance to understand what's going on. Particularly in the theater, where you have costume, story, acting, orchestra.
What's cool is when you're able to give your audience imagination and you don't have to cage them in like animals.
Music is about communication, and the chemistry between an audience and the orchestra is absolutely essential; the performance does not exist in a bubble.
If you change a character too much, the audience falls out of love with the character, but characters need to evolve and grow over the years.
I always prided myself on at least trying to be literate and use the right words, and if the audience didn't get it, then they could go home and look it up.
The only way you can influence your fate is to put your soul into your performance and hope it registers with the audience.
I hope that just what I sing about and how I relate to my audience is as much of a political statement as I need to make.
