'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I...
In theater, you really work out the kinks and figure out exactly what you want to do and what we want to say, so by the time we have an audience, we're really prepared. With TV, you have a day... Sometimes, just a few hours.
I've always thought stand-up comedians were the oral storytellers of our time, because they know rhetoric, they know delivery, they know timing, they know all of these things that you can only learn by telling a story out loud and interacting with an...
I always say to anybody who's going over to America for the first time, 'Whatever you do, go and see a popular mainstream film with a big audience.' Because people shout out. You never get that in Britain. Everybody's so quiet, scared to laugh. It's ...
My plan was I just knew, I think the first time I was in a high school play, and I liked the feeling of that. Getting on the stage and entertaining and audience. Eventually, I went to New York and studied my craft, and I was in school for two years i...
Any time anyone says anything nice about me, whether it's Lady Gaga or your neighbor, it's a nice feeling, I'm very grateful for it. It's very helpful for your career. Every time someone says something complimentary it introduces you to their audienc...
In today's time, writing stuff that actually happened is touch-and-go, because you don't want to be too personal. If you are, then it probably won't relate to a mass audience. A lot of times you have to make it sound like it's about everybody else, b...
I don't think about the gender of my readers or about reader expectations. I'm frankly scared to. I figured out a long time ago that if I tried to guess the audience, it would be like me trying to guess which stocks to buy.
I've attended many concerts where I felt let down and I was wishing it would be something else. Not that it's their duty to please me, but at the same time, I think a lot about what it's like through the eyes of the consumer, the fan. I want not to p...
William Shakespeare was a brilliant writer and he only wrote the truth. So, if I don't believe it, I have to work really hard to see what that truth is so that I do; that's the only way I can make it believable for the audience.
[the guys just notice the "additional miles" on the car] Ferris: [to the audience] Here's where Cameron goes berserk. Cameron: Aaaaaahhhhhhhhhhh! [Cameron's screams can be heard all across Chicago]
Andy Kaufman: Since you've all been such good boys and girls, I would like to take everybody in this entire audience out for milk and cookies. There are buses outside. Everybody follow me.
Election Council President: [after a mounted politician working for Langhorne has ridden a horse into the convention and performed rope tricks for the audience] This is a convention, *not* a rodeo, Langhorne!
Rushman: [stepping to podium] Well I must say, I haven't seen so many lawyers and politicians gathered together in one place since confession this morning. [audience laughter]
Lady: [during the Springtime for Hitler performance] Will you please, shut up! Franz Liebkind: You shut up! You are the audience! I am the author! I OUTRANK you!
Max Bialystock: [smiling at Leo to calm him down] Well you know what they say, 'smile and the world smiles with you' [looks at audience] Max Bialystock: this man should be in a straight-jacket
Prem Kumar: A few hours ago, you were giving chai for the phone walahs. And now you're richer than they will ever be. What a player! Prem Kumar: Ladies and gentlemen, what a player! [audience applauds]
Rod: Lina, you're a beautiful woman. Audiences think you've got a voice to match. The studio's gotta keep their stars from looking ridiculous at any cost. Cosmo Brown: Nobody's got that much money.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more ...
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really p...
I've passed on a lot of huge-money jobs. Money doesn't enter into the decision-making. If I do a big blockbuster, it's about how big an audience you'll get and where you can take them.
