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When I watch a film, I watch it as an audience instead of thinking as an actor or an intellectual. I see whether it made me laugh, get involved or shocked me at certain points. Something has to stir inside me.
To the audience, it's like I'm changing the subject every five seconds, but to me, my show's almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.
A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the story and then creep up with the real Shakespeare, almost by stealth.
There's some anxiety the 30 minutes before the show starts. But once you step on stage and face the people, everything goes away, and you have fun and enjoy the audience.
There are plenty of examples of really well-executed shows you could look at and say, 'Well, clearly this show will have an audience; why wouldn't it?' And for whatever reason, it just doesn't catch on. So you never know going in.
I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.
I don't think, there's no possible way for me, anyway, to play a character that I haven't found some sort of sublime compassion for and I related to Deborah on a way that almost, initially, almost in a way maybe someone in the audience might.
The people who were in college in the '50s were my first real audience, and their kids, the people who found my records in the cabinet during their 'Mad 'magazine years picked me up also.
When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.
Most people didn't have the bandwidth to download whole albums. And so it brought back this cherry picking idea that the audience would focus on certain songs and possibly be the impetus behind what eventually got on AM radio: the single or whatever.
At MTV, although the audience is smaller, I found it more interesting to deliver news to a specific group of people, because my story then did not have to try to be all things to all people.
All I mean is, I'm not the kind of audience comedy directors want at a test screening because I seldom laugh, and if I do, it's not very loud. That doesn't mean I don't like the movie.
When I made 'Hard Boiled,' I had no idea that it would be released to an international audience. I just wanted to make a film to team up my two favorite actors, Tony Leung and Chow Yun-Fat.
I did not make this a long film for its own sake. I wanted to make an entertaining film and offer it out there for those who want to see it. If word of mouth suggests there is an audience out there, hopefully their cinema will show it.
Other than Caroline's in New York, I pretty much haven't done clubs. That was primarily because I always liked the people and audiences at theaters and bars better.
I'm not somebody who no matter where I go there are paparazzi or any of that nonsense. But I have a little window into that world and I can enter it and dance around. I want to be the audience's ticket into the party.
Well, I think that when I perform on the road I always thank the audience for buying a ticket because it's a big deal to buy a ticket for a live entertainment, get a baby-sitter and pay for the meal, the parking, whatever.
With giant sites like Facebook and MySpace becoming as generic as Yahoo and AOL of old, more and more sites will be looking for an edge by drilling down deeply to serve a highly targeted audience.
Our U.S. audience is composed of globally-minded Americans, an elite category, the ones who do have passports, the decision-makers, senior ranks in the administration, senators on Capitol Hill.
Tom is the most eccentric person I have ever worked with. We get on very well and I am most impressed with how he can hold an audience in the palm of his hand.
