As an actor, you don't often get a chance to know exactly the impact of what the audience is seeing, even though you can ask where the frame is. A move that feels tiny can be huge, and vice versa.
I can go to a movie theater and watch a movie I was in with an audience... but with television, the opportunity to meet the fans at Comic Con or any other situation, it's a chance to enter that circle; it's that sharing.
I always thought it would be really cool to be playing the drums in the show and then have your astral body or whatever travel all through the audience and dig whatever it's like out there.
I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
No, it's interesting to remake a film for the contemporary audience today. I think it's a good idea; it needs to respect the original idea. Don't just take the title and change everything else.
I remember 9/11; we had 'Comics Come Home' about a month after those events. That night, even the comedians were concerned. Would the audience be ready to laugh? It was a release for everyone.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theatre than when it came in.
You can try to reach an audience, but you just write what comes out of you and you just hope that it is accepted. You do not write specifically to a generation.
I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.
A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off, but I can't help it.
Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
I think it's important to recognise that 'The Da Vinci Code' opened up a vast new audience for a general readership interested in historical detective stories and research into history.
To me, it's the kiss of death when you start winking at the audience as an actor. I just never liked it. I don't like it when we do monologues, looking into the character.
I had given a presentation on design and happiness for quite a long while at design conferences. I had found thinking about the topic helpful for my own practice, as it forced me to consider the fundamentals, and the feedback from the audience was al...
I think audiences can relate to the guys I'm playing, those large-and-in-charge idiots. Or maybe I just make them feel better about who they are, or who they're dating.
I'm always prepared for the worst. I was prepared to have the book come out, sell seven copies, and have to keep working in advertising, so it was just great that it was received so well and by such a huge audience.
On the one hand, we had great filmic spectacles that brought in big audiences, adults as well as primary and secondary school students. On the other hand, there were attempts to create contemporary Polish film.
I have to expose myself and then accept the judgment that audiences and critics will have. And that's okay. I appreciate the elliptical nature of it. Sometimes people are more in the mood to be nice to me than others, and that's great.
That's the great thing about incubating something on the web: you have the potential to go to other platforms. Every single platform has a different audience that you find.
