The key to successful missionary work is a close relationship between the missionaries and the members. Creating an environment in working with members that will bring more into the Church.
Performance art can involve the audience with taste, smell and sounds not available with electronic media and not practical with conventional theater. This is due to the usually small audience.
Why would they have gone to the trouble to hire the best comedy writers in the business to write funny material for us to play straight, if the children in our audience were the only audience.
When I'm talking to a large audience, I imagine that I'm talking to a single person.
If a movie has more characters than an audience can keep track of, the audience will get confused and lose interest in the story.
As actors, you do have to be aware of your audience. You can't act in a vacuum, even if that audience isn't exactly present with you.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
You can't second-guess your audience. You can only do what you think is right. If you do that, your audience will appreciate you.
Usually, I'm just pleasing myself and I have very similar tastes I think to an audience, what that core audience really likes.
I think my primary audience is in some sense an adult audience, because I think that will then have a knock-on effect for children.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.
I had no fear 'cause it seemed everyone in the audience always applauded whatever I did. Course, maybe it was because I always seemed to know everyone in the audience.
If something is successful with the audience, it's automatically suspect; the reverse is to say that not to reach audiences is the greatest compliment an artist can receive!
You can feel whether an audience is tightened up and pulled back. Of course the opposite is an audience like we've been having in LA, which is fabulous.
Why do you act? You act for an audience. In the theatre, you're in their presence. Film stars don't know what it is to have an audience.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
With it adult political audiences abandoned cinemas. In their place appeared a void. That previous political audience migrated to the seats in front of their TV.
The Russian male audience, they loved 'Knockin' on Heaven's Door,' and they like my comedies, but the Russian male audience is action, action, action.
A good cult delivers on its promises. A good cult nourishes the needs of its members, has transparency and integrity, and creates provisions for challenging its leadership openly. A good cult expands the freedoms and well-being of its members rather ...
If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that.
