I think it's insulting to an audience to make them sit and watch a film and then give them a message in one sentence.
I take no pleasure in the fact that the scientific predictions I've relayed to popular audiences turn out to be true.
I think one of the big things about comedy is the ability for the audience to identify.
We are all actors, set on the stage of the world, as the curtains open we put on our best performance to this audience of life.
It looks better when you do your own stunts, because seeing somebody's face when they're doing them is fun for the audience.
There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
When the kids are laughing in the audience, I tear up, I'm so happy I did a nice thing.
If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.
Free speech is not to be regulated like diseased cattle and impure butter. The audience that hissed yesterday may applaud today, even for the same performance.
It's fun playing the villain now and again; villains are so simple, and you don't have to worry about the audience loving you.
We don't care about our audiences that much. We just go out and play.
When you're with a big TV channel, there's a sense of having to behave in a certain way in order to get audience figures.
It was really strange for me when I started to play concerts in America where the audiences were all sitting down.
Own every note I sing and sell it. Make a connection to the audience. That's what it comes down to, you know?
Being yourself is the most important element for me, because, if you're trying to be something you're not, the audience will pick up on that.
I don't ever write with a particular audience in mind. I just write books that please me.
One challenge to the arts in America is the need to make the arts, especially the classic masterpieces, accessible and relevant to today's audience.
It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.
I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.
Being a part of exhibitions is not a burden; it's another way for an independent label such as mine to reach a larger audience by exposing them to my whole body of work.
