Pretending to care what men think is an art. It takes moments to learn, but lifetimes to master. I’d like to believe I’m an expert.
Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth.
Kids are naturally gifted at art from a very young age. The problem is when they get older and become self-conscious. The process should always be fun, though.
At its best, cinema does retain a remarkable ability to speak to people of every age, from every background, and in ways that almost any other art form in popular culture struggles to compete with.
Civilization is so hard on the body that some have called it a disease, despite the arts that keep puny bodies alive to a greater average age, and our greater protection from contagious and germ diseases.
But really, it was reading that led me to writing. And in particular, reading the American classics like Twain who taught me at an early age that ordinary lives of ordinary people can be made into high art.
I'm realistic about my age and realistic about the fact that there's an awful lot less in front of me than there is behind me. I've always felt that music is an art form that deserves to live the life of the artist.
I was born to argue... I don't know why. I mean, from arguing with my teachers and, on occasions, my parents. I think I've mastered the art of argument at a fairly young age.
My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.
Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together ...
I think that in itself is kind of an amazing achievement to be able to say that your full-time career is in any creative arts, let alone a show that has kept people interested for coming on four seasons and hopefully more.
You may tell a man thou art a fiend, but not your nose wants blowing; to him alone who can bear a thing of that kind, you may tell all.
I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance.
I was always behind in class. There was people in my class who was amazing at art, amazing at maths, amazing at English, but I wasn't clever with anything, even though I tried my hardest.
The real art is not to come up with extraordinary clever words but to make ordinary simple words do extraordinary things. To use the language that we all use and to make amazing things occur.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
In the big picture, architecture is the art and science of making sure that our cities and buildings fit with the way we want to live our lives.
Everyone should be able to build, and as long as this freedom to build does not exist, the present-day planned architecture cannot be considered art at all.
I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
There is a lot of interest in the arts, music, theatre, filmmaking, engineering, architecture and software design. I think we have now transitioned the modern-day version of the entrepreneur into the creative economy.
When I write now I do not invent situation, characters, or actions, but rather structures and discursive forms, textual groupings which are combined according to secret affinities among themselves, as in architecture or the plastic arts.
