Artists don't really want to be marginalized. They believe that everybody should be able to appreciate the experience that an artist gives them, an experience that connects us to each other in a deep way.
I know there are going to be big challenges financially, but I'm excited artistically. I think that if the experience is better artistically, then we have more hope in the future.
If you're interested in any artist, go see them live. I always say that you should go see an artist live. That's an experience that only you and the people in the room can say that they have.
In a way, I envy the freedom artists have. Artists can push themselves beyond their limits, in pursuit of their ideas and their vision, even if they are inhabited by demons that can also play tricks on them.
Every successful artist comes from a family - parents or siblings or both - who, although equally gifted, chose not to pursue the treacherous and difficult path of the artist.
I'm not the type of artist that's like, 'Let's go out and party and dance your life away!' I think those artists are so cool, but I wanted meaning in my songs and they have messages.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
Mankind is the grandest and surest artist of all, and history as it clarifies is, in pure fact, an artistic process, a creation in its fullness of the beautiful soul.
From time immemorial artistic insights have been revealed to artists in their sleep and in dreams, so that at all times they ardently desired them.
I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit.
An artist's creative energy is ephemeral as a flower. It blooms and soon dies. No artist is great forever. Personally, I think I reached my peak in 2004 when I shot 'Samaria' and '3-Iron'.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
But some great records are are being made with today's technology and there are still great artists among us. Likewise there are artists today who are so reliant on modern technology, they wouldn't have emerged when recording was more organic.
I think that fame only goes to your head if you are not a real artist. If you are a real artist and a good person who loves what they are doing, you are going to be the same person.
Viggo Mortensen had the biggest impact on me in terms of approach, dedication, intention, and artistic outlook, and I'm nowhere close to how good he is as an artist, and I wouldn't even put myself in the same category as an actor.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
I am proud being an artist who takes risks, who would walk off a cliff artistically. I won't settle for commercial reasons.
The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.
Believe it or not, most people think of me as a recording artist, but actually the way I think of myself and the way I earn my living is as a performing artist.
Some artists are happy doing the same thing again and again, but my favorite artists are the ones who evolve and grow, and I want to be one of them.
If one artist sells five million albums, the tendency is for other artists to say, 'Maybe I should do a little of that, too.' That can be tough to resist.
