A truly great work of art breaks beyond the bounds of the period and culture in which it is created, so final judgement on a current book has to be deferred until it can be seen outside this present moment.
No harm ever came from a but of dramatic anticipation," said the Doctor. "There is an art to the building of suspense. A prince from Denmark told me that.
When someone between twenty and forty says, apropos of a work of art, 'I know what I like,' he is really saying 'I have no taste of my own but accept the taste of my cultural milieu.
Remember that "seeing is believing" puts the cart before the horse. Art is the concrete artifact of faith and expectation, the realization of a world that would otherwise be little more than a veil of pointless consciousness stretched over a gulf of ...
The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, is as good as dead, and his eyes are dimmed (Albert ...
I dig art. With a shovel. In the cemetery.
How can wealth persuade poverty to use its political freedom to keep wealth in power? Here lies the whole art of Conservative politics.
A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harm...
Mrs Joe was a very clean housekeeper, but had an exquisite art of making her clenliness more umcomfortable and unacceptable than dirt itself. Cleanliness is next to godliness, and some people do the same by their religion.
[art] those images that strike the heart and set it blooming like a flower, images that open up some much, much larger beauty that you can spend your whole life looking for and never find.
Everyone who has any talent at all in sketching, painting, sculpturing or carving, should have the opportunity to use that talent. The expression is important for the person, and can tremendously enrich the lives of other people. What can you do?
The French always make our sort happy because, like us, they know how to love, they're just as good at playing the accordion, and they've made a real art of their inability to bake proper bread.
If it were customary to send little girls to school and teach them the same subjects as are taught to boys, they would learn just as fully and would understand the subtleties of all arts and sciences.
Everything, indeed, in a work of art should be unedited,--and even the words, by the manner of grouping them, of shaping them to new meanings,--and one often regrets having an alphabet familiar to too many half-lettered persons.
[Camila] was quite incapable of establishing any harmony between the claims of her art, of her appetites, or her dreams, and of her crowded daily routine. Each of these was a world in itself.
I have tried to teach you the wonders of the spiritual world... ...I have tried to show how we mortals can attain such wisdom... ...and I've decided you're a pillock. [click on the thumbnail, art by ]
Yes," Mustapha Mond was saying, "that's another item in the cost of stability. It isn't only art that's incompatible with happiness; it's also science. Science is dangerous; we have to keep it most carefully chained and muzzled.
Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.
Write to me your most perfect epitaph, or I shall compare a poet to a lecturer. Thou art more Spartan than a ballad monger who makes his living as a Wal-Mart greeter;
It is my art. I am better at it than I ever was. And I will do it as long as I can. When you reach a certain age you can slough off what is unnecessary and concentrate on what is. And why not?
For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre...
