I believe so, but at first he must know. He must know in which spirit Beethoven has composed this piece. He must try to study that. And he must find out in which station of life of Beethoven he did.
Basically, all my life I'd been told you can't do that because you're female. So I guess I just didn't pay any attention. I just went ahead and did what I could and then, when the stars aligned, I was ready.
When you're on one of the Caribbean islands, sometimes it's hard to picture how they fit in with the rest, but when you see them all joined together like a necklace from space, you see the natural geographic connectedness of them all.
One place that I looked at a lot from space and which looks alluring is New Zealand, especially the North Island. It's a big broad valley with a river flowing through it, and you can see the wine-making dryness of the land.
Nothing focuses your mind quite like flying a jet. That's one reason NASA requires that astronauts fly T-38s: it forces us to concentrate and prioritize in some of the same ways we need to in a rocket ship.
It's a really big deal to do a spacewalk. It's much riskier than staying indoors. It's complex. It uses up a lot of the precious resources onboard. It uses up oxygen. It uses up carbon dioxide scrubbers.
Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
With four people you can create one very strong kind of energy, but if you can get 65 people working together, and swinging together, that's a whole other kind of energy.
We have the Fine Guidance Sensors, one of which we will exchange out of three. Another one we changed on the last servicing mission, and on the fourth servicing mission in 2003 or 2004, the third one will be exchanged.
Another thing that I don't like to do is show too much how it goes. I do it once in a blue moon. Sometimes there are lessons when I don't pick up a violin at all.
Kleiber was the perfect dancer - so perfect that you could see the process. After all, dance is a process; it's a series of snapshots. Kleiber knew how to connect people to the flow, so he could stop managing people.
I have a certain temperament, a disposition that I think lends itself to not playing outside the lines that much. But I do test the boundaries, certainly, and break one or two of my own. Some people are mystified by it, but not me.
As a melody instrument player, it's all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything's moving forward, and it's all linear.
If you listen to really deep ambient records that don't move too much, very still records, long after those records are finished, you might find yourself listening for hours to the sound of the room.
Mistakes can be like ice. If we resist them, we may keep on slipping into a posture of defeat. If we include mistakes in our definition of performance, we are likely to glide through them and appreciate the beauty of the longer run.
When you do interviews, you have to talk about yourself - and I like to find out about other people. I am so familiar with everything that I do. I've said it over and over again. I think it is boring.
People still call me the eternal amateur. After all, professionals are supposed to be able to conduct everything. But I can't unless I feel some connection inside. Conducting is not an end in itself for me.
I once made myself black out by pulling G too quickly while flying an F-18. Being unconscious in a single-seat airplane is not good. Fortunately, I woke up in time. I learned how to better plug-in my anti-G suit.
It is going to be an experiment of how it works, and I see I have all reasons to believe that it will work fine. But it's a short time. And we also have pushed the envelope here a little beyond what has been done in the past.
We would like to carry out 100 percent, or maybe more, of our scientific program; I would like to devote some of my spare time toward extra scientific work.
Instead of using new technologies to preserve for ready discovery material that might in the past never have been stored, or deleting everything as soon as possible, we can develop systems that place sensitive information beyond reach until a specifi...