Cecil Parkes: Rachmaninov? Are you sure? David: Kind of. I'm not really sure about anything. Cecil Parkes: The Rach 3. It's monumental. David: It's a mountain. The hardest piece you could everest play.
Rufus Ryker: [speaking of Joe Starrett] Tell him I'm a reasonable man. Tell him things have gone far enough. Tell him I'm beat. Tell him anything but, by Jupiter, get him here!
[first lines] Bandit second-in-command: We'll take this place next. Bandit Chief: We took it last autumn. They haven't got anything worth taking yet. Let's wait.
The Mole: If anything goes wrong, make a sound like a dying giraffe. Stan: What's a dying giraffe sound like? The Mole: WUUUUUaahhh! WUUUaaaaaaahhhhh!
Joe Turner: I've got a plan. I don't know if it'll work or not, but I'll need your help. Kathy: Have I ever denied you anything?
George Bennings: [Watching a video of the Norwegians] How much more of this crap is there? Dr. Copper: Well, nine hours, I'd say. George Bennings: We can't learn anything from this. Dr. Copper: Guess not.
Dr. Kathryn Railly: Cassandra in Greek legend, you recall, was condemned to know the future but to be disbelieved when she foretold it. Hence the agony of foreknowledge combined with the impotence to do anything about it.
[Nigel Tufnel is showing Marty DiBergi one of his favorite guitars] Nigel Tufnel: The sustain, listen to it. Marty DiBergi: I don't hear anything. Nigel Tufnel: Well you would though, if it were playing.
David St. Hubbins: I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn't believe anything.
Doug MacRay: Ask me anything you want. Claire Keesey: Why? I won't believe you. Doug MacRay: Yes you will. Claire Keesey: Why? Doug MacRay: Because you'll fucking hate the answers.
Willy Wonka: [singing] If you want to view paradise, simply look around and view it. Anything you want to, do it; want to change the world... there's nothing to it.
Stu: [Showing the vampires Google] Anything you want to find you type it in. Viago: I lost a really nice silk scarf in about 1912. Deacon: Yes, now Google it.
There is a serious defect in the thinking of someone who wants - more than anything else - to become rich. As long as they don't have the money, it'll seem like a worthwhile goal. Once they do, they'll understand how important other things are - and ...
I have worried about getting pigeon-holed, but now I think I've done enough weird, offbeat stuff not to be. And I also know that I do things for the right reasons: I've made my money, so I don't have to say yes to anything.
I never take on anything that is just for the money or just for, you know. I always have to connect with it in a very personal way because I believe the audience will sense whether I'm into it or not, so I don't take on projects that I'm not really p...
Money, for me, is just to create bigger and better things. A lot of guys in the deejaying world flaunt it, but I don't see any use in that. I don't need anything. I live in hotels. Most of my clothes I get for free. I like to invest in ideas. In peop...
I suddenly realized that the fellow who didn't show up was getting about fifty-times more money than I was getting. So I thought, 'this is silly,' and became an actor. I certainly never thought I'd wind up in motion pictures. That was far beyond anyt...
When Silence of the Lambs did well commercially it was more than anything. My partner Ed Saxon and I were just so relieved that finally we had made a movie that had made some money!
The closest I get to any sort of 'designer' items would probably be my weakness for jeans - they don't have to be any particular brand, but I'm willing to do almost anything, go anywhere, spend obscene amounts of money for that elusive 'perfect pair....
The First Amendment says nothing about your getting paid for saying anything. It just says you can say it. I don't believe that if a corporation pulls all the money out of you or a network pulls their money away or you get fired, you're being censore...
I had, like, two goals in my career: One was to try to get into 'Second City.' When I moved to Chicago, my goal was to try to work at 'Second City.' And beyond that, my goal was to make enough money as an actor to not do anything else but act, not ha...