Alvy Singer: I don't want to move to a city where the only cultural advantage is being able to make a right turn on a red light.
Pam: Sex with you is really a Kafka-esque experience. Alvy Singer: Oh. Thank you. Pam: I mean that as a compliment.
Alvy Singer: They did not take me in the Army. I was, um, interestingly enough, I was, I was 4-P. Yes. In the, in the event of war, I'm a hostage.
Alvy Singer: Lyndon Johnson is a politician, you know the ethics those guys have. It's like a notch underneath child molester.
I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling.
Memory is very important, the memory of each photo taken, flowing at the same speed as the event. During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.
I am trying to capture the women I photograph at their happiest. That is when they look their most beautiful. But I do understand that you have to make somebody feel completely comfortable in order to bring that out.
Evelyn Williams: Thousands of roses and lots of chocolate truffles. Godiva, and oysters in the half-shell. Patrick Bateman: [Bateman narrating] I'm trying to listen to the new Robert Palmer tape, but Evelyn, my supposed fiancée, keeps buzzing in my ...
We must be more and more to each other, my dear wife.' -Charles Darwin to wife Emma upon loss of daughter Annie
We shall me much less miserable together.' -Emma Darwin to husband Charles upon grief for loss of daughter Annie
Empathy was written from many male and female points of view because each character reacts differently to the emotional fallout from one binding circumstance; Annie Wright's stroke.
Finding the perfect lookalike to work with is crucial and a lengthy process. We have our regulars, but we also use social media all the time to find people. It's amazing who you can unearth on Twitter.
Art work is inconclusive. It opens your mind up. At least, that's what I hope it does. And advertising, using exactly the same photograph, closes things down. It makes it conclusive. It sells a product, and that is its primary function.
I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
You know how you're always trying to get things to come out perfect in art because it's real difficult in life
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
Elrond,” Bruce said. “The Council of Elrond. From . It’s the meeting where they decide to destroy the One Ring.” “Jesus,” Annie said. “ of you got laid in high school, did you?
If you want the extra-ordinary, you've got to be willing to forsake the ordinary' - Annie Grimes in Mr Alhourani's Dead Man's Spots
Annie winced. "Ooooh, you know, it's remarks like that that lead people to draw unflattering conclusions about your sanity.
