I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.
I believe that my art gets across the point that I'm in this morality theater trying to help the underdog, and I'm speaking socially here, showing concern and making psychological and philosophical statements for the underdog.
I've always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That's what I've always done.
Well, I'd say that the beginning of this thing came through with Art of This Century, Peggy Guggenheim's, where she opened this gallery and began showing some things that caused a little talk, amongst a lot of other things.
I've zeroed in on what you would call action and excellence... Everybody who does anything to try to succeed has to give the best of themselves, and art has made me pull the best out of myself.
An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been i...
We call those works of art concrete that came into being on the basis of their inherent resources and rules - without external borrowing from natural phenomena, without transforming those phenomena, in other words: not by abstraction.
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.
Contemporary curators orbit in the place of distribution and consumption, and less and less in the space of artists. I think it has become a lazy profession in regard to its relationship to the artists and the vigorous state of art making.
You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art.
I don't know a single collector or museum director who says: 'Oh, he's on a list, so I think I'll buy something of his.' The people who buy my art put a little more thought into it than that.
I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way.
China is important to the world in that they are a force and on the move. Exposing them to figurative art opens up a potential for artistic expression far greater than anyone would ever have dreamed possible until today. It is this very spirit of the...
I admire 'Adventure Time' for being a piece of art in the way that I think art should be. If you want to see it is poetry, you can, and if you don't, you can watch a fun cartoon.
Also, since art is a vehicle for the transmission of ideas through form, the reproduction of the form only reinforces the concept. It is the idea that is being reproduced. Anyone who understands the work of art owns it. We all own the Mona Lisa.
People expect things from art that are horrible for us who make it! They put the things we make in these restrictive places called 'museums,' then don't want to hear another word from us.
We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
We try to fix the outside so much, but our control of the outer world is limited, temporary, and often, illusory.
A lot of men tend to want "models" I tell men, unless they look like a model themselves, they can't expect to land one.
No, mi dicevo, non può essere bello un mondo dove le paure e gli entusiasmi spaventano i più, tesi come sono al risparmio di sé e dei propri sentimenti.
