Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Reality offers us such wealth that we must cut some of it out on the spot, simplify. The question is, do we always cut out what we should?
A painting is finished when the subject comes back, when what has caused the painting to be made comes back as an object.
Photography used to be not for the faint of heart. Its rigors would weed out the not-so-committed pretty quickly. You had to crank the f-stop ring yourself!
Ansel Adams rattled around the Southwest with his battered truck and his view camera, which looked like a giant accordion with a lens attached to it.
I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
That's my ambition: that you look at the pictures and realize what complex, fascinating, interesting people every single one of my subjects is.
The world is shrinking as we see more and more of it in the media, and the more we see of the world, the smaller we are, the more aware we are of how insignificant any one of us is.
Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
There's no particular evidence that any of the lower mammals or any of the other animals have any interest in aesthetics at all. But Homo sapiens does, always has and always will.
You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.
I have a friend who likes to date younger women because their stories are shorter. Old men like us, our stories are longer.
I usually have one project I'm focusing on but often have many other projects in the back of my mind for several years.
I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
One thing that struck me early is that you don’t put into a photograph what’s going to come out. Or, vice versa, what comes out is not what you put in.
I don't see the point of photographing trees or rocks because they're there and anyone can photograph them if they're prepared to hang around and wait for the light.
I don't think global warming is to do with us, I think it's a natural circle. I don't think a few Ferraris make that much difference.
Every man who is high up loves to think that he has done it all himself; and the wife smiles, and lets it go at that.
I know Andy Roddick's probably tired about me talking about how many times I beat him when we were kids.
I played a killer twice. Once on 'Matlock,' on Andy Griffith's show, I got to play the killer.
