The darker, more complex and emotional the part is, the easier it is for me. But I don't take any of that stuff home with me at the end of the day.
From secrecy and deception in high places, come home, America. From military spending so wasteful that it weakens our nation, come home, America.
London is my home... I know what's right and wrong here, and it's nice to have somewhere familiar to go back to.
I escaped to New York, and then L.A., but when I dream of home, I still dream of my old house in Holmdel.
As for pictures and museums, that don't trouble me. The worst of going abroad is that you've always got to look at things of that sort. To have to do it at home would be beyond a joke.
I don't want to sell myself short. You hurt your spouse, not so much by the infidelity, but by the negative feelings about yourself that you bring home.
I bought a Yamaha-1 and I was doing 180 miles per hour home on the 405 and that's really, really crazy but I did it.
I don't know what would have been worse: If Mira had come home one day to say she was gay or an actress.
I grew up in San Francisco and moved to L.A. about 20 years ago, and now my main home is in Hollywood.
His claim to his home is deep, but there are too many ghosts. He must absorb without being absorbed.
When a writer knows home in his heart, his heart must remain subtly apart from it.
The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.
History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy.
I don't know if I believe in life after death so much as I believe that there is something out there.
Hand-drawn animation is something that I feel really strongly about. A Pixar movie may be really great, but it looks like it was drawn by a machine.
I have a great deal of difficulty recognizing faces, especially if I haven't - if I've just met somebody, it's hopeless.
What's great about documentary, it seems to me, is that it can be experimental filmmaking. You have a license to do a lot of diverse things under the umbrella of 'documentary.'
It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.
Great things are not done by impulse, but by a series of small things brought together.
The Old Vic has always been first and foremost an actors' theatre, a home for great talent and memorable performances.
Only a bad artist thinks he has a good idea. A good artist does not need anything.
