Sensitive people faced with the prospect of a camera portrait put on a face they think is the one they would like to show to the world... Every so often what lies behind the facade is rare and more wonderful than the subject knows or dares to believe...
It is quite possible we may have formed entirely erroneous ideas of what we actually see. The greenish gray patches may not be seas at all, nor the ruddy continents, solid land. Neither may the obscuring patches be clouds of vapor.
The free man does what he likes in his working time and in his spare time what is required of him. The slave does what he is obliged to do in his working time and what he likes only when he is not at work.
I attribute my entire football career, as far as getting me started, getting me interested, keeping me that way was my father. He went to every game even though he was crippled and wasn't real healthy.
Today, free agency takes away a lot of your heroes, they go somewhere else. Some of them don't but a lot of them do-take the higher offer to go somewhere else. And, it turns the fans off because they get attached to the players.
I think that going to the beach as a child, being in the water and smelling that salt air and hearing the seagulls, it had a real calming effect. But also, it was a mysterious thing - I remember wondering what was under those dark New England seas.
I have photographed sharks in waters around the globe, and I always want more and yearn to peer deeper into their world. To feed my passion and to raise awareness, I developed a story about sharks for 'National Geographic' magazine.
The Bahamas has mangrove nurseries, coral reefs, shallow sea grass beds, and deep oceanic trenches - all perfect ecosystems for sharks. Photographing multiple shark species in exquisite water was the assignment I had dreamed about from the start.
I flipped through a book on harp seals in the late 1970s and saw images of them swimming in emerald green pools of water surrounded by huge sheets of ice. Right then I was hooked, and I knew this was a story I wanted to do.
I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killi...
I thank you for your kind invitation to introduce me to the president of the Republic. Since I have not been out of my atelier for two months, I have no appropriate costume for this circumstance. Please excuse me.
In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'
I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.
What I mean by photographing as a participant rather than observer is that I'm not only involved directly with some of the activities that I photograph, such as mountain climbing, but even when I'm not I have the philosophy that my mind and body are ...
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcar...
I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
When you grow up your mother says, 'Wear rubbers or you'll catch cold.' When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.
I won't do advertising if they bring a layout and say, 'This is what we want to do,' because anybody can do that; it's not interesting. They've got digital and the computer; it's not taking pictures, it's not magic - it's a picture done by committee.
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
