When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.
I remember my father, who was 'somebody' in the synagogue, bringing home with him one of the poor men who waited outside to be chosen to share the Passover meal. These patriarchal manners I remember well, although there was about them an air of bourg...
I'm still really close with everyone at home and their parents - and their brothers and sisters. I was so, so, so lucky to grow up as part of a community and I don't take that for granted. I try very hard to stay part of it.
Capra is an old-time movie craftsman, the master of every trick in the bag, and in many ways he is more at home with the medium than any other Hollywood director. But all of his details give the impression of contrived effect.
I just owe almost everything to my father and it's passionately interesting for me that the things that I learned in a small town, in a very modest home, are just the things that I believe have won the election.
As far I'm concerned, being an adult is way more fun than being a kid. But then I was a kid who wanted to be an adult. I'd watch shows like 'Bewitched' and see Darren come home and mix a martini and I'd go, 'That looks awesome! I want to do that!'
There was a point of frustration, where I thought I should just take a film, even though I didn't want to. I was impatient with being at home. But I hung on to the approach I've always had, which is to wait for a project that I could contribute somet...
Growing up in England, you're sort of spoiled, in a way. You sort of take it for granted that within a half-hour's drive, you could be walking around a stately home from the 1700s. It's not very hard to do - in California, you've got to take a flight...
That said, my kids are at home right now with my husband and I'm missing something important at my daughter's school which makes me feel sick inside. It's a lot of balance and a lot of really hard decision making.
My wife is very patient. On our honeymoon in 1992, we got a motor home and drove from L.A. to Idaho and then down the coast. I was running a lot, then so she would drop me off, drive six miles, park and wait for me.
I kind of realize that I have a tendency to choose the kind of films I watched when I was a kid and would go home and pretend with my friends that we were in those movies after we saw them.
My father came from an intellectual and studious avenue as opposed to a brawler's avenue. So I had to go further afield and I brought all kinds of unscrupulous oiks back home - earless, toothless vagabonds - to teach me the arts of the old bagarre.
It is true that the movie is perhaps my most politically-charged. The story is thrust into motion by the idea of what do you do when your 13 year old daughter comes home pregnant. And not only is she pregnant, but she wants to keep the baby.
I was a bed wetter till very late. My mom used to hang my sheets out the window to dry, and I'd have to run home from school in order to beat the other kids to my house so they wouldn't see them.
To be honest, I find going out pretty scary and intimidating. Got all those people checking you out, with only one purpose: hooking up. I'm quite the dork, I'd rather sit home and play Scrabble. But that doesn't get you a girl, does it?
A lot of my work is about equalizing things and kind of destroying any barrier between what's high and low, or what's deep or what's shallow, complex or simple. I hope I'm ever-changing.
One of the greatest things about being an artist is, as you get older, if you keep working hard in relationship to what you want the world to be and how you want it to become, there is a history of interesting growth that resonates with different mom...
When I was in school, I conceptually didn't want black people to have context, to take it out of all that history. I wanted nothing to indicate where they are or what time it is, to place them anywhere.
I did spend a lot of time as a child very confused about whether I had a devil in me, or whether I was in a state of grace. I mean, these ideas are so potent to anybody with half an imagination.
To put down an ideogram of a table so that people will recognize it as a table is not the work of a painter, but to sense it for a moment as a magic carpet with a leg hanging down at each corner is the beginning of a painter's imagination.
I started working out, doing a formal workout right around 1980. That's when I really decided I needed to get in shape and it may have been because you just start to see a decrease - a change in your body.
