Fame changes everything. When you're well-known, you're expected to be different. Some people assume you must have a yacht and four homes. Or that you're famous because you are 'A Decent Man'.
Actually, bizarrely, in America, I get more appreciation from the odd, unusual stuff I've done, almost because I'm not, if you like, famous in America as I am in England.
What's awful about being famous and being an actress is when people come up to you and touch you. That's scary, and they just seem to think it's okay to do it, like you're public property.
No one could have less faith in the absolute and definitive importance of the work created by man, because I believe that this world is nothing but a dream.
Of course 'we humans' have a funny relationship with the beings with whom we share our planet. We eat them, we care for them, we admire them, we use them.
I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.
Some of the money going to the rookies can now be spent on people who have proved their worth. After all, the average playing life of a pro football player is about eight years and it is only fitting that the veterans get something for their efforts.
If I have an hour in a city, I go to vintage stores first because it's so much cooler to find a piece that is unique. I love the thought of some girl having worn it before and living her life in it.
My son, who is five, was adopted from Ethiopia. My daughter was adopted from Guatemala. Her parents died of typhoid and malaria. We got her from an orphanage. They are the lights of my life.
Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
I happen to love engineering. I love figuring things out in a spatial sense, that whole realm of working with mechanical parts, and the relationship of the parts, and things like ratios and the speeds of particular objects.
And in fact I don't believe there is such a thing as a definitive picture of something. The land is a living, breathing thing and light changes its character every second of every day. That's why I love it so much.
Now to consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk. Such rules and laws are deduced from the accomplished fact; they are the products of reflection.
The designer must understand that form does not follow function nor does form follow a production process. For every use and for every production process there are innumerable equally attractive solutions.
When I met my designs in the market of a remote village in the West Indies, or in the airport restaurant in Zurich, I felt like the mother of many well-behaved children.
I don't call myself an 'industrial designer,' because I'm other things. Industrial designers want to make novel things. Novelty is a concept of commerce, not an aesthetic concept.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
Tourism is important because it can create sustainable local economies. I'd much rather have 1,000 tourists going up the Tambopata than 1,000 gold miners.
I finished my studies in England, I opened my studio in London, and the first one-man exhibit I had on Bond Street, which was opened by the Austrian ambassador.
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.
I like the idea of paradox, between the authentic fabrics and sophisticated shapes and between masculine and feminine. I'm not so much for sportswear. I think it's over.
