I think Amy Winehouse's decision not to go to rehab was a bad one. In fact, I think it was the worst idea since Dodi Al Fayed said to Princess Diana, "Ooh, look! A tunnel! Whack that seat belt off and let's have a fuck.
I've heard some people say that I'm selling out, but I'm not. If I hadn't done 'Black Radio', and just kept on doing just piano trio stuff, I wouldn't be honest with myself; I'd be doing it to please other people. That would be selling out.
My life is music, and in some vague, mysterious and subconscious way, I have always been driven by a taut inner spring which has propelled me to almost compulsively reach for perfection in music, often - in fact, mostly - at the expense of everything...
I was at a party in 1989 and Ian McEwan, Martin Amis and Salman Rushdie were sitting on a sofa wondering where the next generation of great British writers would come from. As we talked, it became clear they had never read a word by me.
Being as versatile as I am, I take offense to the notion that no serious musician would not be doing a late night talk show gig. One has to be open enough in other areas to be able to contribute to a show like this.
I read a lot of books about psychopaths. I read a wonderful book Amy Hempel gave me about the guy who created criminal profiling - a fascinating book, 'Mind Hunter.'
I think you get to a point where you watch something just to enjoy it. I don't think it's really done so that you're supposed to feel, Oh, he's the most wonderful drummer. I think the whole lot is what's more enjoyable.
When people talk about the '60s I never think that was me there. It was me and I was in it, but I was never enamoured with all that. It's supposed to be sex and drugs and rock and roll and I'm not really like that. I've never really seen the Rolling ...
My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a differen...
When you see the same familiar faces, it's nice when you get a chance to play with the same musicians. You start to develop this shorthand so everybody knows where you're at and where you're going, but then again, there are always surprises. But the ...
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song ...
I started out playing traditional jazz, and I still do: I love standards, I love the music. But it must move on, and it must live and breathe, and continue to grow, and continue to change, and continue to mesh with other music - all that kind of stuf...
I've always been a bit of a decorator. I think if I wasn't a singer I'd probably be in stage setting or interior design or something. I like clutter and I'm quite visually greedy. I can't have things to be plain; I have to have things looking interes...
Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people re...
I've always had this passion to be creative, and wanted to sing or be in bands and make music, but I didn't have ideas as to what format it'd be, or how I'd do it. I'm not very good with plans. I didn't think it would be me at the front, either. In f...
Lots of people think I'm telling porky pies when I say how nervous I get about singing. I was good at working out how music was put together, and I was good at being at the back, but if you asked me to sing up front, then I looked like I was going to...
It was a lot of hard work, but everyone loved my Amy Childs' Collection, so I decided to have a boutique as well as my salon. I love designing my own dresses, and everyone is loving the collection. I can't believe how well the boutique and the clothi...
For what I can imagine and feel and think and hear, I can hardly do anything on the acoustic bass. It used to be just pure frustration of imagining so much more and being able to get to a certain level of execution.
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with t...
If you take my stuff apart, you'll find my choruses of repetitions are picked up almost verbatim from Kurt Vonnegut, and my distanced fracture quality is all from Amy Hempel, who's probably my favourite writer.
I've always suffered from being labelled a horror writer - just because I didn't go to university, just because I still talk in my natural voice, just because I'm not as articulate as Martin Amis.
