As a young child I wanted to be a writer because writers were rich and famous. They lounged around Singapore and Rangoon smoking opium in a yellow pongee silk suit. They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful ...
Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words.
Like seeing a photograph of yourself as a child, encountering handwriting that you know was once yours but that now seems only dimly familiar can inspire a confrontation with the mystery of time.
I’ve always found that the better the book I’m reading, the smarter I feel, or, at least, the more able I am to imagine that I might, someday, become smarter.
Collaborative workshops and writers' peer groups hadn't been invented when I was young. They're a wonderful invention. They put the writer into a community of people all working at the same art, the kind of group musicians and painters and dancers ha...
Miss Abigail, I want to be an author because writers know when a person is lonely. I mean, when Molly read me some books, those writers reached out and said, Look Gideon, we know about your loneliness and we know you're feeling downtrodden. And they ...
Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit ...
The unfortunate are not as miserable as the world imagines. That urchins, the handicapped, orphans, prisoners and others are much happier than people think. And that language is a trap, that a dark evolutionary force has created languages to limit hu...
Entertain, yes. That goes without saying. But a good writer does that automatically, it's built into the machine. Telling a thumpingly good, mesmerizing story is what one does without question. But beyond that, any writer worth his/her hire knows tha...
Johnson, who defines as 'metrical composition', defines as 'An inventor; an author of fiction; a writer of poems; one who writes in measure'. We can gauge how far we have traveled by comparing this with the Shorter Oxford Dictionary which, after a de...
In the past few years I've assigned books to be read before a student attends one of my weeklong seminars. I have been astonished by how few people -- people who supposedly want to write -- read books, and if they read them, how little they examine t...
When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will su...
Writers,” Esther said simply. “For some reason, a lot of you reject what you hear and see in your heads. If you go too long ignoring it, it builds up and then you do all sorts of weird things. Mumble to yourself. Nightmares. Daydreams. Total anar...
The painter does not conceive himself as existing in himself, he conceives himself as a reflection of the objects he has put into his pictures and he lives in the reflections of his pictures, a writer, a serious writer, conceives himself as existing ...
I soon forgot about my bedraggled appearance. Until, that is, an old man shuffled in and propped himself, hunched and wheezing, over the check-in desk. Karen asked him if he needed assistance. “No,” he grunted sucking on his teeth, “your wet-T-...
Readers usually ignore the typographic interface, gliding comfortably along literacy’s habitual groove. Sometimes, however, the interface should be allowed to fail. By making itself evident, typography can illuminate the construction and identity o...
Universal design systems can no longer be dismissed as the irrelevant musings of a small, localized design community. A second modernism has emerged, reinvigorating the utopian search for universal forms that marked the birth of design as a discourse...
You cherry-pick events that are relevant to the story question and construct a gauntlet of challenge (read: the plot) that will force the protagonist to put his money where his mouth is. Think baptism by ever-escalating fire.
In real life people do occasionally act out of character or do things we wouldn’t normally expect them to do. In fiction, there should be a good reason for a character to do something outside of the ordinary.
We should always aim to read something different=not only the writers with whom we agree, but those with whom we are ready to do battle. Their point of view challenges us to examine the truth and to test their views...and let us not comment on nor cr...
its odd to be a writer, you hear someone's experience and you stash it away in some tiny part of your memory and you go on your way again, only to find; in a few lived through chapters of your story a piece of their puzzle became your pathway to hope...
