One thing I can tell you is this, that I am not a methodical writer.
As an artist, as an actor, as a writer, you have to use what's personal to you. You have to be personal about your work; otherwise, it doesn't ring true.
All writers of fiction will at some point find themselves abandoning a piece of work - or find themselves putting it aside, as we gently say.
I was a scholarship minor public school day boy at Ardingly College and later Whitgift School. Then, straight into work as a journalist - a wonderful thing for a writer.
Writer/directors are, for me, the most inspiring people to work for because they are the person on set that knows the answer to all the questions. They have the most invested in the project because they've been with it from conception.
Preserving that privacy between a writer and the work is important. You have to shut out all those voices that have reacted to your work.
You sometimes use the excuse, 'I'm a writer, dammit, I can do anything I want,' but that doesn't work.
It's what all writers dream of, that our work finds a measure of immortality that long outlives the words of any critic.
Then I read Little Women, and of course, like a lot of really young girls, I was very taken with Jo - Jo being the writer and the misfit.
Some of the writers I've praised are Sara Paretsky, Val McDermid, Elisabeth George and Minette Walters. Strangely enough, almost all are women.
What ultimately happened is that my country had a war. I think it would be extraordinary, as a writer, not to want to write about that.
Americans are not afraid of the future.
I like the mentality of the Americans. It's like when you talk about money.
If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the pe...
Woolf ’s control over the production of her own work is a significant factor in her genesis as a writer. The Hogarth Press became an important and influential publishing house in the decades that followed. It was responsible, for example, for the f...
We do not like the truth because it is simple, we do not want the truth because it is hard, and we do not trust the truth because it is free. Perhaps because many are idealists and publishing is so frustrating, writers are particularly vulnerable to ...
With so much reading ahead of you, the temptation might be to speed up. But in fact it’s essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciat...
There are no known non-biblical references to a historical Jesus by any historian or other writer of the time during and shortly after Jesus's purported advent. As Barbara G. Walker says, 'No literate person of his own time mentioned him in any known...
All our time spent making lists would be better spent painting, or writing, Or singing, or learning to speak stories. Sometimes I feel as though the Church has a kind of pity for Scripture, Always having to come behind it and explain everything, put ...
Is a picture really worth a thousand words? What thousand words? A thousand words from a lunatic, or a thousand words from Nietzsche? Actually, Nietzsche was a lunatic, but you see my point. What about a thousand words from a rambler vs. 500 words fr...
These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers’ faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings ...