I'm here not just as an actress but as a woman, an African-American, a granddaughter of Ellis Island immigrants, a person who could not have afforded college without the help of student loans and as one of millions of volunteers working to re-elect P...
Our U.S. audience is composed of globally-minded Americans, an elite category, the ones who do have passports, the decision-makers, senior ranks in the administration, senators on Capitol Hill.
I think a big part of 'American Idol' that scares people and actually has, I'm sure, stopped people from trying out is the fact that you do have to do things that are necessarily not your genre.
Cooper wrote a novel which is absolutely indistinguishable from Austen, completely from a female point of view, completely English, no sense that he was an American.
We should insist that governments receiving American aid live up to standards of accountability and transparency, and we should support countries that embrace market reforms, democracy, and the rule of law.
The American public got to see for themselves every day, all day, how this trial progressed. There's a lot of value in the public being able to see how the system works.
With big, emotional roles it's very easy, especially if you've grown up in the American school of acting, to exploit your own pain. You have to be careful about that, because 9 times out of 10, your pain is not appropriate to the character.
Americans have been selling this view around the world: that progress comes from perfect protection of intellectual property.
There are plenty of people who are willing to pay $2.6 million for 30 seconds on the Super Bowl and hundreds of thousands of dollars for 'American Idol.' There will be advertising dollars on the Internet. We're there as well. We win either way.
I don't know if I'm an impressionist or an expressionist. You can call me an American first... I've been labeled doing neimanism, so that's what it is, I guess.
I think there's a preoccupation with the American market to make excuses and justify its past. If it isn't current, it means somebody has to make an excuse for it. If it's 'cult,' it gives it a sense of illegitimate legitimacy.
Well that's true, and what is actually happening now is that there are accusations that those records contain conspiratorial information that has been concealed from the American people and that is a dangerous situation that just cannot be tolerated.
When I was in the U.S. for 'Swimming Pool,' people had asked me, 'So are you going to settle down in Hollywood?' And I said, 'No, I'm French! I am living in France. I am not going to be American.'
It is always dangerous to generalize, but the American people, while infinitely generous, are a hard and strong race and, but for the few cemeteries I have seen, I am inclined to think they never die.
Then you get to the last half of the 20th century, Americans are getting very skeptical about their leaders and their institutions, and another place that is affected is parties and conventions.
The vast majority of Americans agree with us. We're doing everything that we can. We're advertising, right now we're on television with an advertisement running in the Washington area. We've got newspaper ads.
My weakness is 'American Idol.' My husband thinks it's ridiculous. But I am so inspired by those young people who are singing their guts out.
When we write, we complement each other. We wrote six songs, Barry and I, while Robin was ill during the American tour, and they were terrible until Robin came back, and then everything worked out.
The American obsession with 'Downton' amuses me slightly because it's such a fiction. I've always been questioned about my historical veracity, and 'Downton' just flies past, when it's completely made up.
My earliest memories are of watching 'Star Trek' and 'MASH' while my parents barbecued chicken in the back yard. I was an American kid, through and through.
For a combination of reasons, and despite evident fondness for American products and individuals, my impression is that most Pakistanis have extremely negative views of the U.S. as a geopolitical player.