Just like the VCR opened the film and TV industries to unimaginable new revenue streams, search, RSS and the Internet will do the same for marketers and media companies.
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
Sterling Holloway, the actor who had originally voiced Pooh, decided to retire in the mid-1980s. Disney decided that they wanted to continue this character with their 'New Adventures of Winnie the Pooh' TV series.
If I hear the word 'retire,' it makes me want to throw up. And then do what? Sit around all day watching television?
'Authoring tools' are terrible; there is almost no software that can create closed captions for media players. And of course there is no training. TV captioning is bad enough, and this stuff is generally worse.
Watching too much TV can triple our hunger for more possessions, while reducing our personal contentment by about 5 percent for every hour a day we watch.
I'm one of a generation brought up on television whose acting is more 'naturalistic', whereas with some of the older generation it's more heightened. But I think there's room for both styles.
There are a lot of latchkey kids. I don't want to be sitting there when a guy blurts something out over the TV and have my daughters ask me what those words mean.
When a child is watching television, he or she is not involved in play, not socializing with other individuals, and most importantly, not receiving feedback as to the actions or consequences of his or her behavior.
You know, so many people say TV makes you stupid. But it had the complete opposite effect on me. It kept me from having a really bad Southern accent.
I find that on serialized television it's wiser to hit the ground and look forward, and take the cues from the writers and the events happening, otherwise you just tie yourself in knots.
It evolved out of the idea to make a kids TV show. And it actually turned out to be a bit dull and a bit regulated and too many people looking over your shoulder and it wasn't really.
That's the thing about film acting and television acting. You just release yourself and do what is true for the moment, and ignore everybody and everything and all the technical razzmatazz that goes on.
I could never have imagined that firing 67 people on national television would actually make me more popular, especially with the younger generation.
Coming back to a television series puts you back in the limelight and gives you a platform for your ideas. If you're not acting on a series, you don't get the ability to communicate to people.
I am a big fan of the TV series 'Taxi' which combined comedy and pathos better than any other show I've seen.
The Corporation for Public Broadcasting distributes an annual appropriation that we provide in accordance with a statutory formula, the vast majority of which goes directly to public radio and television stations.
You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
Everybody remembers 'Just Shoot Me,' and I'm very proud of that. It's still on TV, and people still catch it and laugh about it, and I personally have wonderful, wonderful memories working with those people.
My guilty pleasures tend to be weird, old shows that I find on channel 20 that I've never seen before like 'Voyage to the Bottom of the Sea' or the 'Planet of the Apes' TV show.
