I was a professional ballerina. After becoming an actress, I did a lot of theater, which included musical theater. The first musical play I did was Murray Schisgal's 'The Pushcart Peddlers.'
I would teach children music, physics, and philosophy; but most importantly music, for the patterns in music and all the arts are the keys to learning
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music.
People are people, and I get a bit annoyed that the music business only focuses in on the big metropolises. I find that people that don't live in big cities are just as likely to enjoy music as people that do live in big cities.
Los Angeles and New York are the big centers of the music industry worldwide so of course it can be hard for newcomers who don't know what to expect from the music business.
I did a lot of choral music in high school, and that was kind of my primary, stable outlet for music because I didn't feel comfortable being a soloist. It was a cool, safe space for me musically.
Through music I either tame my demons or unleash them and allow them to be what they are. I don't want the music to be about provocation, I want the music to bring you to a place where you feel at home.
Pop music has greater power to change people and to affect people because it's a universal language. You don't have to understand music to understand the power of a pop song.
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
I think my love of music comes from my dad. I was born with an ear for music, like him, and started with the piano when I was 4 but fell in love with the drums. My dad always has music playing.
I grew up listening to pop; I grew up listening to '60s pop music, the Beatles, the Monkees, Herman's Hermits and all that stuff. So I had a very strong background of listening to great pop music.
When music is crashing around us, when you hear the same five songs on the radio that aren't really saying much, we can always go back to great music. Great music always lives on.
I want to continue to constantly put out great music, expand further and further with the live show and music that is attracting music fans from all over the place, not only for ravers or electronic heads.
I've been a fan of old country music, like Willie Nelson, Patsy Cline. I think I'm drawn to it because of the sense of sadness and sort of loss that a lot of good old country music has.
I'm a weird dichotomy of nerd, sports fan, and musical theater, so I'd love to do a superhero musical on Broadway. But all the good superheroes are claimed.
Nas has always been uncomfortable with being famous and accessible. Nas makes music because he loves music, not because he wants the trappings of music, such as fame.
I look at raising funds for The Perlman Music Program as a challenge and as a way to provide opportunities for people who care about the future of classical music.
The music in Haiti is all tied up in voodoo and African rhythm, and so there's this funny thing: go to a voodoo ceremony, and then go to a Catholic church and tell me which music you liked better, to which one the music is more integral.
But I would never insult the people that love this music and I would never insult the blessing of music in my life and I would never insult myself by playing uninspired music.
I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.
I was born and trained to communicate music, just as the sons were born and trained to hunt, and I was lucky to have grown up in Hungary, a country that lives and breathes music-that has a passionate belief in the power of music as a celebration of l...
