The work that I feel is most authentically mine is the one that is my first reaction, the first thing that feels like the truth. In aggregate, those choices, those series of decisions, create your point of view, your visual language.
I don't think there's any topic a writer should feel afraid of tackling just because it has already been discussed. If you feel you have a fresh perspective and an understanding of a certain emotional truth, it's always worth writing.
Detective Murphy: Look at these ugly bastards. Fat Thug: I don't feel good. Detective Murphy: You're a cop-killer. You're lucky to be feeling anything below the neck.
Gunnery Sergeant Hartman: Do you feel dizzy? Do you feel faint! Jesus H. Christ! I think you've got a hard-on!
Justine Hanna: In a way, you're a party to this. Vincent Hanna: Oh yeah, I made Ralph fuck you because it makes me feel good.
Harry: Wow, I feel sore. I mean physically, not like a guy who's angry in a movie in the 1950's.
Eliza Birch: Did you feel bad for that deer when you shot it? Ralph Dover: Do you feel bad for cows when you go into McDonalds?
Dwight: Deadly little Miho. She won't let you feel a thing unless she wants you to. She twists the blade. He feels it.
Emily Posa: Why do I get the feeling you're doing me a really big favor? Ben Thomas: Becasue I get the feeling that you really deserve it.
Mrs. Dashwood: [feeling Marianne's ankle after she sprains it, Marianne being enraptured with Willoughby] Tell me if I hurt you. Elinor: She feels no pain, mama.
Relaxing, experiencing nature and laughing are what rejuvenate me and make me feel happy. I believe that when I feel happy, that's when I look beautiful... I make a point of laughing out loud every single day.
But I can only write what the muse allows me to write. I cannot choose, I can only do what I am given, and I feel pleased when I feel close to concrete poetry - still.
I haven't had an orthodox career, and I've wanted more than anything to have your respect. The first time I didn't feel it, but this time I feel it, and I can't deny the fact that you like me, right now, you like me!
I thought that when you have more success that you'd feel more buoyed or feel more confident. But in fact my brain has the gift of switching it around and saying, 'Now people are expecting something. Now you're really going to let people down.'
When you say that I can go and make a movie, I feel like I'm one of the most fortunate men. I feel myself to be a fortunate man that I found something to do that I really love.
I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
Because of my childhood where I was constantly by myself, I always feel lonely. I have a lot of people that I absolutely love and I know love me but I can't get rid of that feeling of loneliness no matter who I'm with - even with my children.
I love the 6 Nations rugby. I feel very Scottish then. I feel very Scottish now, sitting in the middle of Chelsea. But that's part of our heritage - being part of Britain, part of Europe. I love being European.
A lot of people say I seem masculine, but I don't feel it. I feel intrinsically feminine. I'd love to be one of the boys but I always felt a bit on the outside. Maybe my masculine qualities come from overcompensating because I'm not one of the boys.
Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with...
I think from an artist standpoint, you have to put out music that you feel like represents you and things you feel like your crowd wants to hear. And if that drives them to go and download the album or the single, that's what we want.
