Young William: Mom, tell me more about Livia. Elaine Miller: She killed everybody so her son Tiberius could inherit the throne - just like Nixon.
Russell Hammond: Do you give a shit about a t-shirt? Larry Fellows: I'm just hungry man; let's just go out and find some barbeque or something.
Celine: If there's any kind of magic in this world... it must be in the attempt of understanding someone, sharing something. I know it's almost impossible to succeed... but who cares, really? The answer must be in the attempt.
The thing with thoughts is that they die, like everything else. But almost everything else leaves a trace behind, even if it's a tiny carcass, some proof that it existed. Unless thoughts are spoken or written or sung or acted upon, there's no evidenc...
I set myself 600 words a day as a minimum output, regardless of the weather, my state of mind or if I'm sick or well. There must be 600 finished words-not almost right words.
I had a very outdoorsy childhood. I was athletic and used to ride and do dressage. I could ride almost before I could walk. There is a picture of me at 18 months old sitting happily on the back of a donkey.
I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
I just play to the people I can see. So it's almost like you are playing to the first few rows of the crowd. You can see the faces of the first hundred people, but then it becomes a blur as the crowds disappear over the hill.
English is only a weak second language, so that the third language--which at the moment is getting the most play, since French is what I speak, read, and hear almost 24/7--is trying to take over the no. 2 spot.
Almost all great writers have as their motif, more or less disguised, the passage from childhood to maturity, the clash between the thrill of expectation and the disillusioning knowledge of truth. 'Lost Illusion' is the undisclosed title of every nov...
I'm a mother myself, and sometimes mothers get a bad rap just because they've tried to do their job. Some people have more of a knack for it than others do, but almost all of it falls to, 'My mother's suffocating me.' Whatever.
Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
So, rap has that quality, for youth anyway; it's a kind of blues element. It's physical, almost gymnastic. It speaks to you organically. Rap grows out of what young people really are today, not only black youth, but white - everybody.
No one talked about the fact that in this year under the Obama administration you've seen the highest casualties in Afghanistan. And the fact that it took him almost 90 days to figure out what his strategy is going to be was absolutely appalling.
I'm still not comfortable recommending that people eat saturated fat with abandon, but it's clear to me that sugar, flour and oxidized seed oils create inflammatory effects in the body that almost certainly bear most of the responsibility for elevati...
Almost every script that I've gotten has been for sort of the generic Hollywood type. I haven't chosen them. All the ones I have chosen are because I've been fascinated with the source material or because of the script.
In my poetry a rhyme Would seem to me almost insolent. Inside me contend Delight at the apple tree in blossom And horror at the house-painter’s speeches. But only the second Drives me to my desk.
It's only the filmmaker. The script is really, really second. And there's a huge gap between filmmaker and script for me. I almost don't care about the story that they're telling; I really only care about who wants to tell it.
I have been using delay and reverberation since the middle 1960s. I use them to make what is almost inaudible to the ear, audible. I do not use them to play loudly but to make the higher harmonics heard.
Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with t...
For many years, there has been only one place where I am in touch with my emotions fearlessly, and that's the stage. Being on stage fills my soul in many ways, almost completely. It's my vice.
