One of the things you see in New York is that offices keep their lights on at night. They're proud of their building. Great. But they must find another way to be proud without draining energy.
I always feel great. I get to come to work every day and see the build from the night before, and every day we do more stuff.
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
I prefer to leave a little room in my bag to grab goodies when I'm travelling, but otherwise you need one good pair of shoes that can be worn day or night, a pair of black jeans, and a nice dress.
I believe the greatest asset a head of state can have is the ability to get a good night's sleep.
What I learned from this movie, 40 Days and 40 Nights: Abstinence can be a very good thing. Especially from box offices where this film is playing.
I've realized that the most important thing I can do to look good is just treat myself well, whether it's getting a nice, long massage or just lying low and not going out every single night.
The oldest form of theater is the dinner table. It's got five or six people, new show every night, same players. Good ensemble; the people have worked together a lot.
There used to be a lot of acts, which was good, because people don't want to see the same act every night. But, you don't want too many acts, you don't want to over-saturate it.
If you want to give it a good go, you've got to make some sacrifices and be as dedicated as you can be. Particularly with 'Doctor Who.' It's two or three hours of line-learning a night.
My mom is from Europe, so we always grew up eating organic foods and working out and keeping in good shape, sleeping eight hours a night and drinking lots of water.
Hemingway is terribly limited. His technique is good for short stories, for people who meet once in a bar very late at night, but do not enter into relations. But not for the novel.
I worked with a group of people who argued day and night - professors, officials, the Minister of Finance - but there were decisions that I had to make.
There was this real fear in doing 'Square Pegs' after getting such a fast ride to glory on 'Saturday Night Live'. I was afraid that the word would be 'peaks early, fails to live up to promise.'
Every night when I go out on stage, there's always one nagging fear in the back of my mind. I'm always afraid that somewhere out there, there is one person in the audience that I'm not going to offend!
I remember as a little kid, I would always feel comfortable if the light in the crack of my parents' door was on at night. When it went off, that meant they were asleep. Then that terror and the fear of being by myself started to creep in.
I still get thrilled by the energy that is a live performance, the fear and the panic and the electricity that happens on the night. I think jolting myself every once in a while with that fear is a good thing for me.
I like the paranormal side a lot; that's my favorite kind of horror movie because it plays on your fear of the dark and makes you go home, and you can't sleep at night.
I do not fear anybody on the field or in society, but I fear at night when I am away from my parents. I am scared of the unknown described in horror movies.
Few if any teenagers can relate to getting up for school and finding famous comics like Pryor and Williams hanging out in your living room after a hard night of partying. But that's Hollywood.
I love sketch comedy. My real goal is to do something with Albert Brooks. That would be my fantasy. I stay up night and day thinking up stuff he might find funny.
